Can you share a bit of your upcom­ing debut pic­ture book, Alo­ha Every­thing, illus­trat­ed by you and writ­ten by Kaylin Melia George? Is this your first pic­ture book?

I don’t want to spoil any­thing but in a nut­shell, it fol­lows a girl named Ano who learns about her Native Hawai­ian her­itage through hula and her adven­tures. And yes, tech­ni­cal­ly Alo­ha Every­thing is my first children’s pic­ture book although I was work­ing on it along side anoth­er book called Alo­ha Christ­mas by Bur­ton Richardson.

What was the process like to mak­ing those beau­ti­ful illus­tra­tions in Alo­ha Every­thing?

The cre­ative process was awe­some. My col­lab­o­ra­tion with Kaylin was a very spe­cial expe­ri­ence that made the project so much fun. We first start­ed the cre­ative process by dis­cussing the mood boards that Kaylin cre­at­ed. She did a real­ly great job set­ting the visu­al pace of the book. Once we were on the same page, I began the con­cep­tu­al­iz­ing phase which main­ly con­sist­ed of cre­at­ing sim­ple com­po­si­tions that high­light­ed the text best. We gen­er­al­ly refer to these as thumb­nail sketch­es. The book is split into three dif­fer­ent sequences: Main, Rest, and I Spy. Ear­ly in this stage we didn’t have a style estab­lished yet but what we knew that it was impor­tant for us to have con­sis­ten­cy for all three sequences. We want­ed to make sure that the I Spy and rest pages were dis­tin­guish­able from the main pages. The next step was cre­at­ing char­ac­ter designs for Ano who was the pro­tag­o­nist. We cre­at­ed a hand­ful of ver­sions. We also cre­at­ed char­ac­ter designs for a cou­ple of rec­og­niz­able names such as Laka, who we end­ed tak­ing out in the final, and Pele.

To achieve the over­all looks of our char­ac­ters, I ref­er­enced sources such as The Mer­rie Monarch Fes­ti­val and archives from UHM’s data­base that held images of dif­fer­ent instru­ments, tra­di­tion­al attires, and tools. I also looked at dif­fer­ent mod­ern­ized Native Hawai­ian looks that inspired the fun and whim­sy ele­ment that chil­dren would enjoy.

After the long and tedious job of gath­er­ing ref­er­ences, I start­ed cre­at­ing drafts of the pages based off the thumb­nail sketch­es. Then, I cre­at­ed col­or swatch­es fol­lowed by dig­i­tal ren­der­ings to fur­ther explain my visions. After that, we took it to the big paper. I cut 300 lb Arch­es water­col­or paper to the prop­er dimen­sions and dove into paint­ing. We didn’t paint the pages in chrono­log­i­cal order which was nice.

Do you have a favorite illus­tra­tion? Which one and why?

Hon­est­ly, I hold every illus­tra­tion close to my heart. It’s as if all the pages of art­work have a mind of their own and they’re try­ing to come out of the paper. If I had to choose one, page eight clicked to me from the begin­ning. Ano has her arms stretched wide as if she is over­see­ing and embrac­ing the land.

I love that one, too! What was your favorite part of work­ing on the book?

The book reveal was the most reward­ing. I teared up a bit. When you work day in and day out on some­thing you don’t get to take it all in until it’s in your hands.

What was the most challenging?

The biggest chal­lenge for me was ensur­ing con­sis­ten­cy with all the illus­tra­tions. There would be times where my mind would go wild and I would want to imple­ment new things (I secret­ly did any­way) but I had to dial it back.

How long did it take to com­plete the illustrations?

It real­ly depend­ed on the com­plex­i­ty of the design. Some, such as page three which has a ton of sea crea­tures fol­low­ing the mighty honu, took me what seemed to be a bil­lion years—it actu­al­ly took maybe two weeks while the last page took me about a week.

What tech­niques and resources did you use to illus­trate the book?

After doing a few mate­r­i­al swatch­es and mini paint­ing sam­ples we set­tled on acrylic and gouache on paper. I real­ly loved how ver­sa­tile and opaque the paints could be while being able to bleed like water­col­or. It was impor­tant for me to be able to have access to a wide range of textures.