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Jing-Jing-Tsong
Kamalani Hurley

Interview with Illustrator Jing Jing Tsong 

Tal­ent­ed pic­ture book illus­tra­tor Jing Jing Tsong is a mas­ter at her craft. Influ­enced by the prin­ci­ples of mono­print and tra­di­tion­al stone lith­o­g­ra­phy, Jing Jing lay­ers col­ors and tex­tures to cre­ate images that are engag­ing and com­pelling. Their visu­al and emo­tion­al appeal com­mu­ni­cate a visu­al expe­ri­ence for young read­ers and their grown-ups. “In every­thing I prac­tice,” she says, “I explore the inter­con­nect­ed­ness of being.” We are very pleased to talk sto­ry with illus­tra­tor Jing Jing Tsong.

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Too_many_mangoes
Kamalani Hurley

Book Review: Too Many Mangoes, by Tammy Paikai 

Some pic­ture books are clas­sics. They tell time­less tales that teach us about the world and our place in it. One such clas­sic also hap­pens to be one of the first Native Hawai­ian-themed books writ­ten in an authen­tic voice. Too Many Man­goes by Tam­my Paikai is a sto­ry based on the author’s child­hood expe­ri­ence. This gen­tle sto­ry is about two Hawai­ian kids, Kama and Nani, who love to climb the man­go tree at their grand­paʻs house. One day grand­pa asks them to pick some man­goes, but when he real­izes that the kids have picked way too many for their fam­i­ly to eat, he instructs them to give the man­goes away to their neigh­bors. Thus the adven­ture begins. 

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Ciara-Lacy
Kamalani Hurley

Interview with Native Hawaiian Filmmaker Ciara Leinaʻala Lacy 

Cia­ra Leinaʻala Lacy is a tal­ent­ed writer-pro­­duc­er-direc­­tor whose pas­sion is telling sto­ries influ­enced by her Native Hawai­ian her­itage. Her doc­u­­men­­tary-style con­tent have shown at Sun­dance and Berli­nale and on stream­ing plat­forms includ­ing Net­flix, PBS, ABC, and Al Jazeera. Her award-win­n­ing fil­mog­ra­phy includes Is That Black Enough for You? (2022), This is the Way We Rise (2021), Out of State (2018), We are Still Here (2018), and 11/8/16 (2017), and as well as oth­er com­mer­cial projects. And as if all of that was­n’t impres­sive enough, Cia­ra is hum­ble and gra­cious. She recent­ly carved out some time out of her busy sched­ule to talk sto­ry with us.

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Hiʻiaka-and-Panaewa
Kamalani Hurley

Book Review: Hiʻiaka and Panaʻewa, a Graphic Novel by Gabrielle Ahuliʻi 

When I was a kid, I had a set of books called Great Illus­trat­ed Clas­sics. They were fat vol­umes full of sto­ries embell­ished with black and white draw­ings. The scari­est tales were from Greek and Roman mythol­o­gy where the hero bat­tled bad guys and won (most of the time.) Even in school, the myths we read were lim­it­ed to Greek and Roman gods with names like Zeus, Athena, Posei­don and Mars. But where were the col­or­ful pic­ture books about Pele, Maui, Kaʻahu­pa­hau, Kama­puaʻa, the mene­hune? There weren’t any, not in the kidlit sec­tion of the library or in any of the illus­trat­ed clas­sics that lined my child­hood bookshelf. 

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Gabby-Ahulii
Kamalani Hurley

Interview with Native Hawaiian Author Gabrielle Ahuliʻi 

Like most Native Hawai­ians, author Gabrielle Ahuliʻi grew up hear­ing the beloved leg­ends passed down from gen­er­a­tion to gen­er­a­tion. Best known for her pop­u­lar series, Hawai­ian Leg­ends for Lit­tle Ones, and now for her first graph­ic nov­el, Hi’i­a­ka and Panae­wa, Gabrielle beau­ti­ful­ly retells these clas­sic sto­ries for today’s young read­ers and their grown-ups. 

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Books-unsplash
Kamalani Hurley

How I Learned to Write Using Mentor Texts: Unspeakable, by Carole Boston Weatherford 

Wel­come to a new occa­sion­al series about learn­ing from men­tor text pic­ture books!

I love pic­ture books, those wild­ly col­or­ful, won­der­ful­ly imag­i­na­tive works of chil­dren’s lit­er­a­ture. Some pic­ture books are so good that every time I read  one, I always come away with some­thing new — a fact I did­n’t know, an excit­ing idea I had­n’t thought of, a point of view I had­n’t con­sid­ered — in a small, easy-to-read, beau­ti­ful­ly illus­trat­ed pack­age. As a writer, I use men­tor texts to improve my sto­ry­telling skills. 

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