Alo­ha Every­thing is one of the most beau­ti­ful pic­ture books I’ve ever seen. At the risk of sound­ing over the top, the illus­tra­tions are stag­ger­ing­ly beau­ti­ful. More than sup­port­ing the text, the art does its own sto­ry­telling. Like all great illus­tra­tions in chil­dren’s lit­er­a­ture, they are key to under­stand­ing and appre­ci­at­ing the cul­ture and his­to­ry explained in the book. 

Artist Mae Waite is a won­der. Her vibrant, mag­i­cal art­work leaps off the page. I love all of the illus­tra­tions, but my favorite accom­pa­nies the first “What did hula teach her?” refrain. In it, the girl is in a hula pose, as to say maha­lo to the gods and the ʻāi­na: arms stretched before her, eyes closed, her long dark hair swirling all around in hues of pur­ple and laven­der. Gorgeous.

Each spread is rich­ly lay­ered, a riot not just of col­or but of images. You know how some pic­ture books con­tain pret­ty but for­get­table illus­tra­tions that you don’t real­ly stop to look at? Not so with Alo­ha Every­thing. With Ms. Wait­e’s art, I found myself slow­ing down to exam­ine the tiny details that make up the com­po­si­tion as a whole.

More than just pret­ty, the illus­tra­tions are the per­fect jump­ing off point for dis­cus­sions. I can imag­ine a class using an illus­tra­tion as a start­ing point to explore Hawai­ian cul­ture, such as the con­cept of alo­ha in the title, the myth of the demigod Maui las­so­ing the sun, the process of tra­di­tion­al kapa mak­ing, and the var­i­ous flo­ra and fau­na of Hawai­ian forests.