Jing-Jing-Tsong

Interview with Illustrator Jing Jing Tsong

Tal­ent­ed pic­ture book illus­tra­tor Jing Jing Tsong is a mas­ter at her craft. Influ­enced by the prin­ci­ples of mono­print and tra­di­tion­al stone lith­o­g­ra­phy, Jing Jing lay­ers col­ors and tex­tures to cre­ate images that are engag­ing and com­pelling. Their visu­al and emo­tion­al appeal com­mu­ni­cate a visu­al expe­ri­ence for young read­ers and their grown-ups. “In every­thing I prac­tice,” she says, “I explore the inter­con­nect­ed­ness of being.” We are very pleased to talk sto­ry with illus­tra­tor Jing Jing Tsong.

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Too_many_mangoes

Book Review: Too Many Mangoes, by Tammy Paikai

Some pic­ture books are clas­sics. They tell time­less tales that teach us about the world and our place in it. One such clas­sic also hap­pens to be one of the first Native Hawai­ian-themed books writ­ten in an authen­tic voice. Too Many Man­goes by Tam­my Paikai is a sto­ry based on the author’s child­hood expe­ri­ence. This gen­tle sto­ry is about two Hawai­ian kids, Kama and Nani, who love to climb the man­go tree at their grand­paʻs house. One day grand­pa asks them to pick some man­goes, but when he real­izes that the kids have picked way too many for their fam­i­ly to eat, he instructs them to give the man­goes away to their neigh­bors. Thus the adven­ture begins. 

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Ciara-Lacy

Interview with Native Hawaiian Filmmaker Ciara Leinaʻala Lacy

Cia­ra Leinaʻala Lacy is a tal­ent­ed writer-pro­duc­er-direc­tor whose pas­sion is telling sto­ries influ­enced by her Native Hawai­ian her­itage. Her doc­u­men­tary-style con­tent have shown at Sun­dance and Berli­nale and on stream­ing plat­forms includ­ing Net­flix, PBS, ABC, and Al Jazeera. Her award-win­ning fil­mog­ra­phy includes Is That Black Enough for You? (2022), This is the Way We Rise (2021), Out of State (2018), We are Still Here (2018), and 11/8/16 (2017), and as well as oth­er com­mer­cial projects. And as if all of that was­n’t impres­sive enough, Cia­ra is hum­ble and gra­cious. She recent­ly carved out some time out of her busy sched­ule to talk sto­ry with us.

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Hiʻiaka-and-Panaewa

Book Review: Hiʻiaka and Panaʻewa, a Graphic Novel by Gabrielle Ahuliʻi

When I was a kid, I had a set of books called Great Illus­trat­ed Clas­sics. They were fat vol­umes full of sto­ries embell­ished with black and white draw­ings. The scari­est tales were from Greek and Roman mythol­o­gy where the hero bat­tled bad guys and won (most of the time.) Even in school, the myths we read were lim­it­ed to Greek and Roman gods with names like Zeus, Athena, Posei­don and Mars. But where were the col­or­ful pic­ture books about Pele, Maui, Kaʻahu­pa­hau, Kama­puaʻa, the mene­hune? There weren’t any, not in the kidlit sec­tion of the library or in any of the illus­trat­ed clas­sics that lined my child­hood bookshelf. 

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Gabby-Ahulii

Interview with Native Hawaiian Author Gabrielle Ahuliʻi

Like most Native Hawai­ians, author Gabrielle Ahuliʻi grew up hear­ing the beloved leg­ends passed down from gen­er­a­tion to gen­er­a­tion. Best known for her pop­u­lar series, Hawai­ian Leg­ends for Lit­tle Ones, and now for her first graph­ic nov­el, Hi’i­a­ka and Panae­wa, Gabrielle beau­ti­ful­ly retells these clas­sic sto­ries for today’s young read­ers and their grown-ups. 

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Books-unsplash

How I Learned to Write Using Mentor Texts: Unspeakable, by Carole Boston Weatherford

Wel­come to a new occa­sion­al series about learn­ing from men­tor text pic­ture books!

I love pic­ture books, those wild­ly col­or­ful, won­der­ful­ly imag­i­na­tive works of chil­dren’s lit­er­a­ture. Some pic­ture books are so good that every time I read  one, I always come away with some­thing new — a fact I did­n’t know, an excit­ing idea I had­n’t thought of, a point of view I had­n’t con­sid­ered — in a small, easy-to-read, beau­ti­ful­ly illus­trat­ed pack­age. As a writer, I use men­tor texts to improve my sto­ry­telling skills. 

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Solomon-Enos

Interview with Native Hawaiian Artist Solomon Enos

Native Hawai­ian artist Solomon Enos is a mod­ern-day Renais­sance man: a sought-after artist, book illus­tra­tor, mural­ist, sculp­tor, and game design­er. His beau­ti­ful pieces have been exhib­it­ed at mul­ti­ple pub­lic venues, includ­ing the Hon­olu­lu Muse­um of Art, the Hawaiʻi State Art Muse­um, and the pres­ti­gious Smith­son­ian Muse­um Asian Pacif­ic Amer­i­can Cen­ter. Google, Pixar, and Dis­neyʻs Aulani Resort are among his famous clients.

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Lei-and-the-Fire-Goddess

Book Review: Lei and the Fire Goddess, by Malia Maunakea

Lei and the Fire God­dess by Malia Mau­nakea is a rare gem in kid lit: an epic com­ing-of-age sto­ry writ­ten by a Native Hawai­ian author fea­tur­ing Native Hawai­ian char­ac­ters. The sto­ry intro­duces twelve year old Lei, who goes by her Eng­lish first name Anna, with all the snark­i­ness and inse­cu­ri­ty and joy that are part of grow­ing up. But it didn’t take long for me to get into the sto­ry. From the very moment she steps off that air­plane, Lei is a ful­ly devel­oped, ful­ly like­able character.

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Malia-Maunakea-Kahiki-Photography

Interview with Native Hawaiian Author Malia Maunakea

Malia Maunkea is Native Hawai­ian author of mid­dle grade and non-fic­tion. Her new nov­el, LEI AND THE FIRE GODDESS, a rol­lick­ing sto­ry about an adven­tur­ous Native Hawai­ian twelve-year-old, is a rar­i­ty in chil­drenʻs lit­er­a­ture: a sto­ry for mid­dle grade kids writ­ten by an ʻōi­wi author that fea­tures an ʻōi­wi char­ac­ter. We are proud to fea­ture Malia in todayʻs talk-story.

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Lessa Pelayo-Lozada

Interview with American Library Association President Lessa Pelayo-Lozada

Pres­i­dent of the Amer­i­can Library Asso­ci­a­tion, Native Hawai­ian Lessa Kananiʻop­ua Pelayo-Loza­da is a war­rior. With politi­cized book bans on the rise, the nation’s librar­i­ans bat­tle to pro­tect intel­lec­tu­al free­dom. Lessa works to strength­en the ALA’s com­mit­ment of keep­ing the nation’s libraries as safe spaces that offer every­one — regard­less of their socio-eco­nom­ic sta­tus — free and equal access to news, infor­ma­tion, and edu­ca­tion. The fight is daunt­ing, but Lessa and are all in:
We are resisters at our core. We pro­tect all our patrons, uphold intel­lec­tu­al free­dom, and serve our communities…

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Kamalani Hurley
[photo: Rokki Midro]

Kamalani Hurley
[photo: Rokki Midro]