March On, a Short Film by Courtney Takabayashi

March On

Come along with Joe and Mara as they hunt for the night marchers in March On, the hilar­i­ous­ly spooky video by my friend, the writer and sto­ry­teller Court­ney Tak­abayashi. Be sure to watch through the cred­its for the lov­able eccen­tric, Uncle Kimo. Court­neyʻs video is a past win­ner of the Hal­loween Video Con­test spon­sored by the Hon­olu­lu Star-Adver­tis­er and Hawaii News Now.

The work­ing mom of a tod­dler and a cou­ple of fun-lov­ing cats, Court­ney admits that her web­site is a bit out of date, so to con­tact her, fol­low her on Insta­gram

Post­ed with per­mis­sion by Court­ney Takabayashi. 

Interview with Native Hawaiian Writer Adam Keawe Manalo-Camp

Adam Keawe

Our ongo­ing series on Native Hawai­ian and local Hawaiʻi writ­ers con­tin­ues this Adam Keaweweek with Adam Keawe Man­a­lo-Camp, the tal­ent­ed Native Hawai­ian writer and blog­ger. If you’re a reg­u­lar read­er of Ka Wai Ola O OHA, then you’ve no doubt read Adam’s won­der­ful­ly inter­est­ing, well-researched arti­cles about the his­to­ry and cul­ture of our people.

I’m a huge fan of your writ­ing, Adam. But for those who haven’t met you, could you please tell us a lit­tle about yourself?

The home­lands of my ances­tors are Hawai’i and the Philip­pines. My grand­moth­er grew up in Hon­okaʻa while my moth­er and I grew up in Kewa­lo with­in Papakōlea Hawai­ian Home­stead. My ʻiewe and piko are lit­er­al­ly buried at Papakōlea. I also spent a chunk of my life in the Philip­pines. As far as my research back­ground is most­ly in his­to­ry and anthropology.

Where did you grow up? What high school did you grad from?

I grew up with­in Papakōlea and am a prod­uct of Hawaiʻi’s pub­lic school sys­tem. I grad­u­at­ed from Roo­sevelt High School.

Who is your biggest supporter?

My hus­band. He’s been with me from the very begin­ning when I was get­ting my master’s in coun­sel­ing psy­chol­o­gy and veered off course to be a free­lance writer. The lat­ter and mar­ry­ing him were the best deci­sions I made (besides hav­ing kids)!

That’s awe­some. Why did you become a writer? What inspired you to write for children?

In gen­er­al, my ances­tors. But my moth­er always encour­aged me to write.

Why did you become a writer? What inspires you to write y0our posts and articles? 

I have always liked to write. The first time that a piece of mine was pub­lished was in the ʻŌʻi­wi Lit­er­ary Jour­nal, and I was grad­u­at­ing high school. The late Māhealani Dudoit had dis­cov­ered me through a long email chain where I was talk­ing about the impor­tance of King Kalākaua’s world tour of 1881. I was very self-con­scious because ofbe­ing māhū, neu­ro­di­verse, and hav­ing Eng­lish as my sec­ond language—Hawaiian was my first. Māhealani said she loved how unique my voice was and encour­aged me to keep writ­ing.  It took me a long time to real­ize that what I told in school were my weak­ness­es are actu­al­ly my strengths.

Then some eight years ago, I began writ­ing posts on social media and recent­ly my oth­er pieces and some of my research have appeared in Civ­il Beat, Ka Wai Ola o OHA, Nat­Geo, etc.

What do you enjoy most about writ­ing? What are some of your great­est chal­lenges in writ­ing your arti­cles and posts?

When I write posts, I think of them as love let­ters to my ances­tors and to my cul­ture. I do not have a social media cal­en­dar or plan things out. I write because some­thing inspires me to and I found a par­tic­u­lar top­ic inter­est­ing. I also write in hon­or of my grand­moth­er and moth­er who used to con­stant­ly fill my thoughts with sto­ries of their times and the times of the ances­tors. I know many Kāna­ka Maoli who read my posts may not have their kūpuna around or have been scat­tered through­out Tur­tle Island, and so I would hope some of my posts may be a small light to remind them of where they came from.

Social media can bring so much pos­i­tive atten­tion to indige­nous peo­ples but social media can also be chal­leng­ing. Some folx are on social media plat­forms sim­ply for clout or to attack peo­ple behind a wall of anonymi­ty. I try not to focus on those peo­ple but to focus on the folx out there who are search­ing for man­aʻo and want to engage in aloha.

I always learn some­thing new from your posts. What are your hopes and dreams for the year and beyond in terms of your writ­ing career and what you would like to see pub­lished in the future?

I have a cou­ple of arti­cles com­ing out this year includ­ing pieces on Kao­mi. The pan­dem­ic sort of made me rethink my career and what I want to write about. I would want to write more local Fil­ipino and queer his­to­ries as well as more on Hawai­ian strug­gles from a his­tor­i­cal point of view. I would like to also write more fic­tion­al short stories.

I always ask the fol­low­ing of the writ­ers I inter­view: There are not a lot of sto­ries for local kids by local writ­ers. Why do you think that is? What do you think we can do to change that?

I think in gen­er­al there aren’t a lot of works for chil­dren by BIPOC writ­ers in gen­er­al. A lot I believe is the lack of access to pub­lish­ers as well as eco­nom­ic fac­tors. There are a lot of cre­ative Kāna­ka Maoli out there that I know of but due to the cost of liv­ing and oth­er expens­es, some see being cre­ative as a side has­sle as they feel that being cre­ative can­not sus­tain them finan­cial­ly. I myself would not know how to get start­ed in that field.

Do you have a web­site? Are you on social media? Do social media play a role for you as an author? Do your read­ers con­tact you? What do they say?

My link­tree is linktr.ee/adamkeawe That fea­tures links to some of my work and my blog. I got on Face­book about eight years ago, and on there I am admin for the Hawai­ian His­to­ry and Cul­ture group, which has 34,000+ mem­bers. Insta­gram I got on right before the pan­dem­ic and that is where I am more active. I also have Twit­ter but am not too active on there. All of my han­dles for my social media accounts are: adamkeawe.

In gen­er­al read­ers are sup­port­ive and engage in discussions.

What advice do you have for aspir­ing writers?

If your naʻau keeps push­ing you to tell a sto­ry, youʻre a writer. Nev­er be dis­cour­aged nor base your self-worth and your writ­ing on how many likes of fol­low­ers you have. In the end, you will con­nect with who you need to con­nect with.

Can you share a bit of your cur­rent work?

I have two pieces com­ing out soon. One is about Kao­mi and anoth­er is about my moth­erʻs best friend who was a transwoman in the 1970s.

What beliefs are your sto­ries challenging?

Patri­archy, set­tler colo­nial­ism, homo­pho­bia, racism, and anti-Semitism.

Where do you get your inspirations?

I draw a lot of my inspi­ra­tion from my ances­tors and talk­ing to oth­er Kāna­ka Maoli. But I also read oth­er writ­ers from var­i­ous gen­res includ­ing Joy Har­jo, Ninotsche Rosca, Noam Chom­sky, Langston Hugh­es, Audre Lorde, Stephen King, and so many oth­ers. Sci­ence fic­tion such as The Expanse, Star Trek: Deep Space Nine, and Baby­lon 5 inspires me as well.

Your arti­cles and posts demon­strate a lot of research. Whatʻs your research process like? How long is your research for a typ­i­cal article?

Nor­mal­ly I have at least three sources per arti­cle. In social media posts, min­i­mum two.  Before I begin a major writ­ing assign­ment, I chant “E hōmai…” and ask to be guid­ed. I do the same pri­vate­ly before enter­ing a library or archives. I am mind­ful that research is cer­e­mo­ny and method­ol­o­gy is rit­u­al, and I try to bring that into what­ev­er I am work­ing on.

Have you ever con­sid­ered writ­ing a longer work, like a book or screenplay?

Yes. I would rather col­lab­o­rate though because of the time that it takes.

Can you share a bit about what you are work­ing on next?

I am col­lab­o­rat­ing with Kumu Lua Michelle Manu on a book about women warriors.

Women war­riors? I look for­ward to that. Adam, maha­lo nui for shar­ing your man­aʻo! To learn more about Adam Keawe, vis­it his Link­Tree

Moke Action, by Award-Winning Native Hawaiian Filmmaker ʻĀina Paikai

pupu-a-o-ewa-logoHawaiʻi Cre­ole Eng­lish — called “pid­gin” by its native speak­ers — dates back 100 years to the sug­ar plan­ta­tion days. Immi­grant work­ers, first from Chi­na, then Japan and oth­er coun­tries, need­ed a way to com­mu­ni­cate with their fel­low work­ers and with the peo­ple who lived among them, the Native Hawai­ians. Pid­gin is still spo­ken in Hawaiʻi, and being flu­ent is a source of great pride by its speak­ers. Pid­gin is what makes us local.

One of the most pop­u­lar videos we pub­lished at Pūpū was this lit­tle gem, Moke Action, an ear­ly film direct­ed by the tal­ent­ed Native Hawai­ian film­mak­er ʻĀi­na Paikai. Not sur­pris­ing­ly, ʻĀi­na would go on to make many award-win­ning short films, includ­ing the won­der­ful Hawai­ian Soul in 2020. Moke Action, star­ring Bru­tus LaBenz, Brah­ma Fur­ta­do, and Liona Arru­da, is the tale of two young men who near­ly get into an unfor­tu­nate scuf­fle. Hap­pi­ly, they are pre­vent­ed from com­mit­ting vio­lence, thanks to their respect for their elder. Or, in pidgin:

Two guys like scrap til aun­ty wen scold dem.

Exact­ly.

Post­ed with per­mis­sion by ʻĀi­na Paikai. 

Interview with Author Dani Hickman

How About a Pineapple?

Wel­come to our lat­est inter­view with Native Hawai­ian and local Hawaiʻi writ­ers!  Author Dani Hick­man is the author of four delight­ful chil­dren’s books pub­lished by Island Heritage. 

Hi, Dani. For those who haven’t met you, could you please tell us a lit­tle about yourself?Dani Hickman

I’m a mar­ried local girl with four adult chil­dren. My youngest, who co-authored two of my books (How About a Pineap­ple? and Tako Lends a Help­ing Hand) just went off to col­lege. My home in Wai­pio is still full with four dogs, one cat and one very fat beta fish. My day job is in Human Resources at a local adult in-home care service.

Where did you grow up? What high school did you grad from?

I’m a town­ie who grad­u­at­ed from McKin­ley High School. Go Tigers!

Indeed! Who is your biggest supporter?

My hus­band, Jeff, is my part­ner in all things. From rais­ing the kids, to edit­ing my writ­ing, to being my arm can­dy at author events, Jeff has always been my rock. He is a Kame­hame­ha grad and retired Nation­al Guard Vet­er­an. His feed­back and con­tri­bu­tions in my sto­ries def­i­nite­ly helps me add more “fla­vor” to any­thing I do.

Why did you become a writer? What inspired you to write for children?

I’ve always writ­ten short sto­ries and poems since I was lit­tle. Pub­lish­ing always seemed like some­thing that was too dif­fi­cult to achieve and I had no idea where to even begin. I had a co-work­er, Tam­my Paikai, who pub­lished a few children’s books and inspired me to give it a try. She was incred­i­bly help­ful and encour­ag­ing with all the behind the scenes stuff, like set­ting up for a book sign­ing and being resilient dur­ing the edit­ing process. I also LOVE her books. “Too Many Man­gos” is my favorite Tam­my Paikai book, so relat­able in Hawaii and a great les­son of giving.

What do you enjoy most about writ­ing for kids? What are some of your great­est chal­lenges in writ­ing for children?

I love the book sign­ings and read­ing at the schools! Meet­ing chil­dren and hear­ing them say how much they love the sto­ry is such a heart­warm­ing expe­ri­ence. My biggest prob­lem when writ­ing for chil­dren is my love for big words. Keep­ing sto­ries at 2nd grade read­ing lev­el and replac­ing “ver­bose” with “talk­a­tive” or “mean” in place of “mali­cious” is a chal­lenge. My kids always loved “big” words but my edi­tor has a dif­fer­ent viewpoint.

What are your hopes and dreams for the year and beyond in terms of your writ­ing career and what you would like to see pub­lished in the future?

I’d like to pub­lish a chap­ter book for teens with a Hawaiʻi sto­ry­line. Maybe even a Pono the Garden GuardianHawaiʻi graph­ic nov­el. I’d also love to do a sequel for my first book, Pono, the Gar­den Guardian. He’s my favorite lit­tle guy with a big heart. I have a rough idea of what I’d like his next chap­ter to be. Pub­lish­ing anoth­er adven­ture for him would be amazing.

There are not a lot of sto­ries for or by Native Hawai­ians and Pacif­ic Islanders. Why do you think that is? What do you think we can do the change that?

I agree that there are not enough Hawaiian/Pacific Islander children’s book authors. In my opin­ion, I think part of that stems from the Hawai­ian cul­ture itself. Hawai­ian is a spo­ken lan­guage, tra­di­tion­al­ly pass­ing sto­ries through chants, song and dance. The lack of a writ­ten Hawai­ian lan­guage did not become issue until the arrival of the mis­sion­ar­ies. Today, there seems to be a lim­it­ed group of tra­di­tion­al kumu who are per­pet­u­at­ing the cul­ture as they always have, through oral teach­ings. I think more in the com­mu­ni­ty are try­ing to reach out to kei­ki, but unfor­tu­nate­ly, the pool of knowl­edge­able experts with a pas­sion for writ­ing and a focus on children’s sto­ries is small. It may be help­ful to have more out­reach by cul­tur­al groups to encour­age kei­ki to put their demands out there for books and also writ­ing their own stories.

Do you have a web­site? Are you on social media? Do social media play a role for you as an author? Do your read­ers con­tact you? What do they say?

My web­site is sore­ly out of date. Iʻm also on Face­book. I been have slack­ing off con­sid­er­ably in pro­mot­ing my books in the last cou­ple of years. My focus was on my fam­i­ly and get­ting my daugh­ter set up for col­lege. Now that she is in col­lege, I hope to get back to it. I have got­ten email sent from my web­site, direct mes­sages and com­ments on face­book and my direct email. Most of the feed­back was through social media. A major­i­ty of the com­ments were around how much they liked the char­ac­ters. A few made wel­come cri­tiques of dif­fer­ent direc­tions the How About a Pineapple?sto­ry could have gone. My favorite bit of feed­back was that I didn’t name the pup­py in How About a Pineap­ple? I pur­pose­ful­ly left out a name because I noticed many chil­dren com­ing to book sign­ings men­tioned that their dog was the dog in the book. I felt nam­ing the dog exclud­ed all those kei­ki with white dogs that want­ed to imag­ine their pup­py on an adven­ture. The dog is named Kea in the book descrip­tion but not in the sto­ry, and I still appre­ci­ate the comment.

What advice do you have for aspir­ing writers?

READ READ READ! Learn how oth­ers weave their sto­ries and devel­op their char­ac­ters. All those dif­fer­ent styles helps you find your own. Be open to feed­back from oth­ers, it can only make you bet­ter. Write about what inspires you. Don’t be dis­cour­aged — keep trying.

Can you share a bit of your cur­rent work?

Rainbow Friends in the SeaThe last book I pub­lished was a baby book, Rain­bow Friends in the Sea. I’ve always loved rain­bows and want­ed to write a col­or book for lit­tle ones. It’s a board book with a sim­ple rhyming theme show­ing the basic col­ors of the rain­bow in sea life. My favorite part of the book is a mir­ror in the end, because “You’re my newest Rain­bow Friend.”

Which of your books did you have the most fun writ­ing? Which were the most challenging?

Writ­ing How About a Pineap­ple? with my daugh­ter was the best expe­ri­ence. At 12 years old she was burst­ing with ideas and edits. It was a bless­ing work­ing with her.

My first book, Pono the Gar­den Guardian, was the hard­est to write. I invest­ed a great deal of my heart in that book, and it was too long. The text need­ed to be cut in half. Cut­ting some­thing you love down to its core was very dif­fi­cult for me but also a valu­able les­son. Great sto­ries can be a rela­tion­ship between the author and the read­er. Using few­er words allows the read­er to fill their mind with the pic­tures they cre­ate. The writ­ing is just there to point and to guide.

What beliefs are your books challenging? 

I think there are many sto­ries about heroes. I believe every­one can be a hero. You just have to decide how. My char­ac­ters aren’t “super,” they’re YOU in dif­fer­ent sit­u­a­tions. They’re YOU choos­ing to be a good per­son in a small, but sig­nif­i­cant way.

What’s your expe­ri­ence with pub­lish­ing your books?

I’ve had good expe­ri­ences with my pub­lish­er. Island Her­itage is well known for qual­i­ty and has a his­to­ry of amaz­ing works. I’m hon­ored that they allowed me to share my sto­ries and sup­port me as an author.

Where do you get ideas for your books?

I write sto­ries I want my chil­dren to learn from. I take a les­son like self-less giv­ing, doing what’s right and work­ing well with oth­ers, and I have the char­ac­ters show you why that les­son mat­ters. Inspi­ra­tion is every­where and in com­mon every­day things. Children’s sto­ries should shine a light on a dif­fer­ent way to look at some­thing, from dif­fer­ent per­spec­tive. It’s a great way to learn no mat­ter what your age. 

Which char­ac­ters do you relate with eas­i­ly? Why?

The char­ac­ter clos­est to me is Tako Lends a Help­ing Hand. Tako wants to Tako Lends a Handhelp every­one but takes on more than she can do and ends up for­get­ting every­thing she’s already promised. Man­ag­ing tasks and time while work­ing with oth­ers to get things done is some­thing I think many peo­ple can relate to. Tako is an octo­pus, so it’s a lit­tle wish­ful think­ing to hope for a few extra hands on busy days.

Can you share a bit about your next book?

 I always have 10–12 books in dif­fer­ent stages at all times. It’s com­mon for me to put some­thing down for months and come back to it with fresh eyes. The book I have that’s a bit far­ther along than most is a sto­ry about not want­i­ng to go to bed. It’s got more of a nation­al theme, and it rhymes, which is always a bit more chal­leng­ing to get the rhythm right. Many par­ents can con­nect to a sto­ry of a child want­i­ng to stay up a lit­tle lat­er than they should.

Maha­lo, Dani, for shar­ing your man­aʻo with us! To con­tact Dani Hick­man and learn more about her books, please vis­it her web­site at thedanihickman.com