Kahoʻolawe is a New York Public Library Vibrant Voices 2026 Selection!

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In a world full of wonderful libraries, the New York Public Library is a true gem. This magnificent institution offers 400,000 children’s books and other literature materials and world-class educational programs and research facilities. We were honored that Kaho’olawe: The True Story of an Island and Her People had been selected by NYPL as one of its best nonfiction books for 2025.

Now imagine our delight that Kaho’olawe has just earned a place on the New York Public Library’s Vibrant Voices Kids Books 2026 list! We are so grateful to be included on this wonderful list of books! 

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All proceeds benefit the Protect Kaho’olawe ‘Ohana. Mahalo nui to Carol Hinz and the team at Millbrook/Lerner!

Interview with Hawai’i Author-Illustrator Kelsie Dayna

Kelsei Dayna

Kelsei Dayna at deskFreelance artist and illustrator Kelsie Dayna has a new title to add to her list of accomplishments: author-illustrator! Her alphabet board book, From Aloha to Zippy’s (Bess Press, 2026) reimagines Carol Colbath’s original with gorgeous art and ʻōlelo Hawai’i. 

We are delighted to talk story with Kelsie.

Aloha, Kelsie, and congratulations on your debut children’s book! Could you please introduce yourself for those readers who haven’t met you yet? Where did you grow up? What high school did you grad from?

Mahalo! My name is Kelsie Dayna. I am a freelance artist and illustrator in Honolulu. I was born and raised here on ‘Oahu. I graduated from Maryknoll High School. Go Spartans!

I studied for a year at the University of San Francisco, before returning back home and finishing my bachelor’s degree at UH Mānoa, Shidler College of Business.

How did you get into illustrating? Was it something that you studied or did it blossom from a passion? What made you decide to start writing children’s books?

I have always loved art, but it wasn’t something I ever took seriously or even considered as a career choice. I didn’t study art formally or take classes–my path into illustration was much more organic (and some might say, accidental).

After graduating with a business degree, I began working an office marketing job, but I was laid off during the pandemic. It was a challenging and uncertain time, and I found myself turning to art as a way to cope with everything I was going through.

What started as a personal outlet gradually became something more. I began sharing my art–and my journey–online, and over time, that led to new opportunities that eventually allowed me to transition into illustration full-time.

As for children’s book, it felt like a natural extension of my work. I’ve always been drawn to storytelling and fun, colorful imagery, and children’s books offered a space where those elements could really come together in a meaningful way.

Cover
Illustration @ Kelsie Dayna from From Aloha to Zippy’s (Bess Press, 2026)

Your book, From Aloha to Zippy’s, is described by your publisher, Bess Press, as a reimaging of the classic 2007 book. How did you get involved in the project? What was the journey like?

I was lucky enough to work with Bess Press a few years ago on another project, so being asked to reimagine their beloved From Aloha to Zippy’s was such an exciting opportunity.

The process was one of the smoothest and most enjoyable projects I’ve ever worked on, thanks to the incredible team at Bess Press. From our first meeting to the final drafts, the project took about a year. We took our time brainstorming and exploring ideas, and I’m thrilled with how fun and fresh everything turned out.

When you began work on the book, what do you do first? Character design? Page layout? Or just explore setting?

Since this book is a reimagining of the 2007 edition, our first step was to rethink how each page would function visually. We knew we didn’t want to simply replicate the original photos with illustrations, so we approached it as a fresh start.

Once we decided to structure each letter as its own scene, that framework became a helpful guide for the entire process. From there, I looked at the list of words for each letter and tried to piece together a local Hawaii setting that could naturally incorporate them.

Each page was a creative workout to design compositions that worked within the unique constraints of each letterform. Balancing readability, visual interest, and storytelling within those shapes really pushed me to think more intentionally about layout and flow.

The board book includes a number of Hawaiian language words for each alphabet. How did you decide which words to include? And how did you choose the specific objects or characters for each letter?

Choosing the list of words for each letter was one of the first tasks we tackled, before any illustration or artwork began. Some letters have a lot of word possibilities, while other letters were much more limited, so it was a challenge to create a balanced, cohesive experience from page to page.

What ultimately helped pull everything together was the idea of treating each letter as its own scene or vignette. That approach allowed me to thoughtfully incorporate the chosen words by building a visual story around them—placing objects and characters in a way that felt natural and engaging.

That shift was a real turning point for me, creatively speaking, and I believe it’s one of the most unique aspects about the book.

 

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Illustration @ Kelsie Dayna from From Aloha to Zippy’s (Bess Press, 2026)

Your illustrations have a joyfulness to them and are incredibly fun. What’s the inspiration for them? How did you hone your personal illustrating style?

A lot of the joy in my work comes from wanting to create the kind of imagery that feels inviting and approachable. I’m inspired by simple, everyday moments and little things that spark nostalgia.

I think most creatives will agree with this, but I feel like I’m still honing in on my style. And to be honest, I’ll probably be on that quest forever. My style today didn’t happen overnight but came through a mix of experimentation and consistency. I’ve explored different techniques, colors, compositions and eventually noticed patterns in what I gravitated towards. Honing in on my style has been less about forcing something specific and more about refining what already felt true to me.

What is the most rewarding aspect of creating an alphabet book for children?

I am happy knowing the book can be part of a keiki’s earliest experience with language and storytelling. As a parent, that feels especially meaningful.

It also feels really special to root the book in Hawai’i. Being able to reflect familiar places, language, and everyday moments adds another layer of connection, especially for local Hawai’i families. I love the idea that keiki might see parts of their own word in the illustrations while also discovering new details each time they read it.

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Illustration @ Kelsie Dayna from From Aloha to Zippy’s (Bess Press, 2026)

What advice would you give to someone wanting to start writing/illustrating children’s books?

I’d say just start creating — don’t wait for everything to be perfect. Begin with an idea, a character, or even just a few pages and see where it goes! 

More importantly, make something that feels true to you. If you enjoy the process and your work is genuine, it will show! 

That’s great advice! So … Next Stop Zippy’s? I planned to ask you what you like to there, but I see Megan Kakimoto beat me to it in her Honolulu magazine interview 🙂 

I have so many childhood memories there with my parents and grandparents. My family are I are Zippy’s regulars. It’s always our next stop! 

Ours, too! Mahalo nui, Kelsie, for a wonderful talk story! We can’t wait to see what’s next for you. 

To see more of her work, please visit her at Kelsie Dayna Designs. You can find also find Kelsie on Instagram and Facebook

Images courtesy of Kelsie Dayna.

Kaho’olawe at ALA Chicago 2026!

Harinani-Carol-Kamalani

After a full day of travel, Tim and I finally landed in Chicago for the American Librarians Association (ALA) Convention to be held the weekend of June 26 through the 28. Kaho’olawe: The True Story of an Island and Her People, illustrated by Harinani Orme, was being honored with the APALA (Asian Pacific ALA) Pasifika Picture Book Award! Hundreds of vendors and thousands of people filled the vast McCormick Center. On our first day, we made a beeline to Lerner’s exhibition space where I finally met my dream editor, Carol Hinz, in person! I got to meet authors I’ve followed for years, including Carole Boston Weatherford (Unspeakable), Miranda Paul (One Plastic Bag), Jilanne Hoffman (The Ocean’s Heart) and illustrator Lauren Tamaki (Seen and Unseen), as well as new friends Calvin Alexander Ramsey (The Library in the Woods) and Florence Migga (Summer Scrapbook.)

The whirlwind weekend culminated in the awards banquet at the New Furama at Chicago’s historic Chinatown. The restaurant reminded me of home, and so it was the perfect venue for what felt like a family reunion rather than a formal banquet. The space was filled with so much aloha, thanks to our new friends. A very special mahalo to the team at Lerner Books, who were there to cheer us every step of the way: Carol Hinz, Adam and Maryann Lerner, Andy Cummings, Megan Ciskowski, and Lindsay Matvick

Harinani and I are so thankful for the honors our book has received. Our hope is that more kids will learn the story of Kahoʻolawe and how the little island and her people continue to thrive.

Please enjoy a few photos from the convention. Mahalo nui!

  • Kamalani Hurley at ALA 2026
    After a full day of travel (10 hours!) from Honolulu, we finally arrived at the ALA Convention in Chicago!

Announcing I AM MOANA and I AM MAUI Little Golden Books!

I am Moana cover

Dear readers, please allow me to share a dream-come-true with you.

Like many of you, I grew up reading Little Golden Books. The stories were sometimes silly, sometimes serious but always fun and inspiring. I loved them all.

The books evolved over the years — from gentle stories like Poky Little Puppy (1942) and We Like Kindergarten (1965) to recent best-sellers tied to movies and celebrities — all to keep up with reader demand.

I am Moana cover
Cover illustration by Lisa Vannini from I AM MOANA by Kamalani Hurley (@Disney Enterprises, 2026)

Growing up in the rough-and-tumble urban neighborhood of Kalihi-Pālama, I never imagined that one day I would have the chance to WRITE not one LGB … but two.

I am thrilled that I AM MOANA and I AM MAUI (Disney/Golden) are out in the world today!

Spread I am Moana
Illustration by Lisa Vannini from I AM MOANA by Kamalani Hurley (@Disney Enterprises, 2026)

Writing these stories helped me grow as an author: meeting strict deadlines, providing extensive art notes, and being true to the movies and the characters. I am so grateful for the experience that expanded my skills.

I am Maui cover
Cover illustration by Griselda Sastrawinata-Lemay from I AM MAUI by Kamalani Hurley (@Disney Enterprises, 2026)

Guided by the Dream Team at Disney Press, I focused on what made these characters so beloved — their courage, resourcefulness, and adventurous spirits. 

Honestly, it was such a joy to live in Moana’s world again!

Spread from I am Maui
Illustration by Griselda Sastrawinata-Lemay from I AM MAUI by Kamalani Hurley (@Disney Enterprises, 2026)

And the fantastic art! Talented artists Lisa Vannini and Griselda Sastrawinata-Lemay created vivid, richly imaginative illustrations that are a Disney signature. The one above where Moana is doing her best to lead her crew is one of my favorites. So much storytelling in one art spread!

This was an experience I will cherish forever. MAHALO NUI  to the fantastic team at Little Golden Books and Disney Enterprises!

I am Moana
Written by Kamalani Hurley, illustrated by Lisa Vannini
Golden/Disney, 2026
ISBN 978–0736447546
Suggested for ages 2 — 5 

I am Maui
Written by Kamalani Hurley, illustrated by Griselda Sastrawinata-Lemay
Golden/Disney, 2026
ISBN 978–0736447522
Suggested for ages 2 — 5 

Images @Disney Enterprises, 2026

Interview with I am a Bon Dancer author Brandi-Ann Uyemura

Brandi-Ann-Uyemura

As readers of this blog know, we highlight the talented creators of our AANHPI — Asian American, Native Hawaiian, Pacific Islander — community.

We are excited that our longtime friend, Brandi-Ann Uyemura, has a new book out this month! A lot has happened since we first featured her in 2022. She recently sat down to talk story and catch us up about her debut picture book, I am a Bon Dancer

Can you share a bit of your debut picture book, I am a Bon Dancer? Without giving away too much for those who haven’t read it yet, what is it about?

Sure! I am a Bon Dancer is about a little girl who hasn’t been to the Bon dance before, but has heard her grandfather talk about it. His excitement is contagious, and she feels excited, too, until she gets there and realizes everyone seems to know how to dance. She is afraid to make a mistake in the glow of the lanterns and with everyone looking at her, but she gains courage when she learns the meaning behind the dance.

What inspired you to write the book?

Oh this has been in my mind for a very long time. I used to go to Obon with my grandfather on the island of Kauaʻi as a kid. He loved to go, and I remember how excited he would get on that day. He would whistle as he got dressed. He had this hair oil that he would use to pat down the few hairs on his balding head. He was so cute.

He had a station wagon and he would take my cousins and me early. My grandma would be there helping in the kitchen. It was something we all looked forward to. And all the details from the lanterns, the ono food, and my grandfather’s joy stayed with me all these years and inspired me to write this book.

Such sweet memories! What characteristics do you love best about the young protagonist? About Grandpa Jo? Are they modeled after specific people?

I love that she is afraid and yet still tries to dance. I was also scared to dance, so I sat on the bench and watched my grandpa dance. She is who I wish I was as a kid. Grandpa Jo is based on my grandpa Wakamatsu. I was really close to him. Having said that, while the characters were created because of my relationship with my grandparents, they are very different from real life. My grandpa worked in the sugar cane fields, for example, not my grandmother.

What was your favorite part of writing your book?

I love writing, and I love coming up with the sensory details of Bon Odori itself. I also loved working with Watercress author Andrea Wang. That part was so inspiring and really pushed me to be a better writer. I learned so much from Andrea and am forever grateful for her mentoring me. She was super generous with her time in helping me get my manuscript in the best shape possible.

Cover I am a Bon Dancer
Cover illustration @ Amy Matsushita-Beal, from I am a Bon Dancer by Brandi-Ann Uyemura (Holiday House, 2026)

How lucky to have Andrea as your mentor! The illustrations are wonderful. What was it like working with Amy Matsushita-Beal?

Thank you! I agree. The closest I got to working with Amy was just suggesting the type of illustrations I was looking for.

I never actually had a chance to work with them directly, but it was one of the highlights of my year to visit Amy in Japan. She is multi-talented and extremely creative. During our meeting, we got to talk about the process. I learned, for example, that the main character was inspired by a TV character and that there were suggestions in one of the drafts that were never used. I didn’t realize how fun it would be to talk to the illustrator, and I am so glad I got a chance to!

I love the book’s back matter. How do you hope this additional content influences the reader’s experience of the book? 

Thank you, Kamalani! That means a lot to me because Kaho’olawe: The True Story of an Island and Her People was such a powerhouse of information. I hope that my readers will understand the significance of obon with that level of awareness and understanding.

But I also want readers to know that while the Bon dance has religious roots, today’s Bon dance is more about community and spending time with those you love.

In terms of the reader’s experience with the book, I hope that reading it will help them gain a deeper emotional understanding of why dancing is so important to the characters in the book and to appreciate the people behind some of the movements. While they appear simple, the hand movements often convey history, hard work, and real-life sacrifice for the Japanese people.

That’s fascinating! What do you hope teachers or librarians do with your book?

I just hope they share it! I gave a presentation once for an online class I took with author Marcie Colleen on “Windows and Mirrors.” I really hope librarians and teachers know how much I appreciate what they do, how important their roles are, and what a gift they can give children in providing both windows for children to learn about a new culture or learning something new about the Bon dance, but also mirrors for kids who want to see themselves in a book.

Mirrors and windows — what a terrific concept! What do you hope young readers will take away from your book? That is, what is the main message or feeling you hope kids get from this book?

I hope they will see themselves in it. I hope they will feel inspired and encouraged to do something that scares them and feel brave because of their own ancestors and the struggles they have been through.

Can you share a bit about what you’re working on next?

I am working on multiple manuscripts. Some about my culture. Other zany ones are about animals and dragons. I am also continuing to work on my middle-grade mystery about chocolate, which now has ghosts in it. The market keeps changing, and I like to write different things. The tricky part is finding a publishing home for them!

Mystery about chocolate and ghosts? I can’t wait for that book! Mahalo for your time and mana’o, Brandi! Visit Brandi at her website, Brandi-Ann Uyemura, and on Istagram at @brandialwayswrites.

Learn about I am a Bon Dancer in our picture book review!

Images courtesy of Brandi-Ann Uyemura

Book Review: I AM A BON DANCER by Brandi-Ann Uyemura

Cover I am a Bon Dancer

Hawai’i is blessed with a diverse population, in large part due to our sugar plantation history. Hard-working people from far away places as China, Portugal, Japan, Puerto Rico, the Korean peninsula, the Philippines, and Russia settled here, raising their families and contributing to what has become our unique local culture.

This is reflected in fifth-generation Japanese American Brandi-Ann Uyemura’s delightful debut picture book, I am a Bon Dancer.

Cover I am a Bon Dancer
Cover illustration @ Amy Matsushita-Beal from I am a Bon Dancer by Brandi-Ann Uyemura (Holiday House, 2026)

It’s Obon season in Hawaiʻi, and our young protagonist is excited to attending her first festival. Accompanied by her beloved grandfather, Grandpa Jo, the young girl is immediately entranced by the sounds, sights and aromas of the Bon dance. Most of all, she is in awe of the graceful dancers who move together, clapping, sweeping their arms and stepping to the music.

Will she ever learn to dance as beautifully?

What follows is a  tale as the little girl learns how Bon dances are connected to her ancestors. I was especially moved by the image of the young dancer with her Grandma Nat, who had worked as a field hand on a sugar plantation. Feeling love and encouragement, the girl gathers her courage, feels the music within her, and begins to dance. 

Opening pages
Illustration @ Amy Matsushita-Beal, from I am a Bon Dancer by Brandi-Ann Uyemura, Holiday House, 2026

The illustrations by Amy Matsushita-Beal are beautiful. Because Bon dances tend to be held during evening hours, the book’s scenes are saturated with deep blues to represent the evening sky. One of my favorite spreads shows the girl entering the  for the first time. We readers share her wonder and excitement — the thumping beats of the drummers, the tall red and white striped tower strung with brightly colored lanterns, the tents beyond that hint of delicious treats.

Although Obon is a Japanese tradition, the illustrations include diverse faces. As a girl, I attended Bon dances with my Japanese language school classmates, so I appreciate that the dancers are an authentically accurate reflection of the open-to-all invitation of the festival. 

I love back matter, and the material at the end of the book is very insightful. I particularly loved learning about Hawaiʻi’s Obon traditions and that new songs are created to reflect life here. Festivals welcome everyone in the community to join in. And as a future ancestor — no spoiler here — I admit the last line of the back matter brought me to tears.

Drummers
Illustration @ Amy Matsushita-Beal, from I am a Bon Dancer by Brandi-Ann Uyemura

As I always try to do with picture book reviews, I read the book aloud to my youngest grandchildren. The book’s words and art kept their attention the whole time, and they even cheered at the very last scene!

My second grader read the book twice in one sitting — always a good sign — and together we looked for videos of Bon dance festivals online. All the grandkids have decided that we are all going to the next Bon dance at the Hongwanji near my house.

That is the best recommendation I think a picture book can have: it engages children and inspires them to learn more about their neighbors — near and far — and their traditions. I am a Bon Dancer is a most worthy addition to your child’s bookshelf.

I am a Bon Dancer
Written by Brandi-Ann Uyemura, illustrated by Amy Matsushita-Beal
Holiday House, 2024
ISBN 978–0823452200
Suggested for ages 4 — 8 

Catch up with author Brandi-Ann Uyemura as she shares her process in writing this book! 

Please read our disclaimer to learn our book review policy. Mahalo!

Galley review copy and images courtesy of Brandi-Ann Uyemura.

Kahoʻolawe wins a Blueberry Changemakers Award for 2025!

Blueberry 2025

Mahalo nui to the Evanston Public Library and the Blueberry Committee for awarding KAHO’OLAWE: THE TRUE STORY OF AN ISLAND AND HER PEOPLE a 2025 Changemakers Award! The story of the island and the people who love her will inspire readers everywhere. Kaho’olawe Aloha ʻĀina! Read about the award winners at the School Library Journal.

Blueberry 2025

All proceeds benefit the Protect Kaho’olawe ‘Ohana. Mahalo nui to Carol Hinz and the team at Millbrook/Lerner!

Kaho’olawe Book Pāʻina at daShop!

Hari-and-me-signing-books

daShop: books+curiosities in Kaʻimukī was the place to be on Saturday, February 28! Its parent company, Bess Press, hosted us in an epic book signing and art+writing pāʻina (party). Mahalo nui to David Deluca (Publisher and Coo), Kristen Namba Reed (Director of Publishing, Trade), Sarah Deluca (Director of Literacy and Curriculum Design), Dimpna Figuracion (Educational Partnerships Manager) and Jen Yoneshige (Operations Manager) for making the event so much fun! The space was filled with so much aloha!

What made this event so special is that the book’s illustrator, Harinani Orme, came prepared with her sketches and notebooks. She took the audience on a journey, from her research process and preliminary sketches to the final paintings that made it into the book.

Best of all, we talked story with the librarians, teachers, readers, parents, and grandparents in the audience who had brought their children. Our hope is that more people will learn the story of Kahoʻolawe and how the little island continues to thrive today.

Please enjoy these photos of the event. Mahalo nui! (all photos here are used with permission)

  • Hari-and-me
    Illustrator Harinani Orme and author Kamalani Hurley at our book party at daShop in Honolulu.

Interview with writer Hannah Kaʻiulani Colburn

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Native Hawaiian journalist Hannah Kaʻiulani Colburn ishannah-colburn-headshot a digital news producer at Hawaiʻi Public Radio and an in-demand freelancer for the Office of Hawaiian Affairs’ Ka Wai Ola O OHA. Many of her articles focus on the native community. Her wide-ranging interviews reveal the vibrant artistic community that’s thriving in Hawai’i. 

Today we talk story with Hannah about her writing life. 

Mahalo for speaking with us this morning! Let’s start in the Hawaiian way. Please share a bit about  your background and your ‘ohana.

My father is half Hawaiian, half Japanese; however, he was adopted as a child by the Coburn ʻohana – a large local family from Lāʻie. 

I was raised outside of Sacramento, California. I did not attend a traditional high school. Instead, I graduated through an independent study program, which is similar to being homeschooled. (Note: Hannah graduated from the University of Hawai’i journalism program.)

My mother has been one of my most important supporters. From the time I was young, she instilled in me to always work hard and get an education — those two things, no one can ever take away from you. She’s just always there for me whenever I need her and has always supported me 1,000%.

Also, I would not be able to write and work without my other half. He’s a big help when it comes to taking things off my plate so that I have the time to work on my stories. We also both share a huge love for our culture and Hawaiʻi. So he’s a great supporter of my overall work.

Mahalo for sharing this. How would you describe your job title and job description?

As a freelance writer, I have the flexibility to choose whether I take an assignment. Freelancing for Ka Wai Ola is always a pleasure!

A breakdown of the job is that I am asked to take on a story assignment and am given a deadline, usually between 1 and 2 weeks, to turn in a story for their monthly issues. A typical assignment will require me to speak with my subjects or sources, gather photos, and then write a story. 

Why did you become a writer? How long have you been doing this work?

I have always enjoyed storytelling and writing; it has always felt natural to me. In college when I was debating what to study, I found myself between English and Journalism and was encouraged by a professor in Los Angeles to study Journalism. After graduating from the University of Hawaiʻi at Mānoa in the fall of 2024, I kept up with freelancing whenever the opportunity arrived. It’s been over a year now since I’ve been working professionally as a writer in my field.

What do you like most about your job? What do you like the least?

Writing for Ka Wai Ola has been very special to me! I reached out to the paper as a student struggling in my capstone class at UH. Pua, the editor for KWO, responded and gave me the chance to write a story of my own for the paper, and since then, I have become one of KWO’s regular contributors. Working with Pua has been something I will always cherish. Besides being an amazing writer and editor, she has been someone who has mentored and advised me. She makes the process seamless and easy and has just always shown me aloha!

Something else I enjoy is being able to speak to other Hawaiians, hear their stories, and have the opportunity and trust to share them with others. It’s not easy to answer questions, especially for someone who is a stranger. You never know what they could gather, so I really try to take the time to connect with my subjects, their stories, and make them feel understood.

I have zero complaints doing this work!

For readers who might be interested in becoming freelance writers, what do your typical working hours look like? 

It all depends on the turnaround time from when I get an assignment to arranging talk story sessions. But for the most part, it is quick. I don’t like to sit on a story for too long, but I also don’t like feeling rushed. I prefer to work on a story for five to seven days. It gives me time to listen back to my interviews, transcribe them (I don’t like using AI transcribing tools), work out an initial draft, and then revise. Due to my other job, my role as a mom to a busy 18-month-old, I usually work on my stories after hours, early in the morning, or late into the night.

What’s your research process like for a typical article?

I like to spend a day before speaking with a subject to really do my research into who they are, what they’ve done, and what I’m going to be writing on. The research will usually continue as I’m writing a story.

Can you please share some examples that you believe show your best writing?

Yes! Here of some of my favorites:

(Hannah also interviewed me for an article at KWO: Sharing Kahoʻolawe’s Story with a New Generation of Writers)

Are there any topics you like writing about most?

I enjoy working on stories that aim to uplift or perpetuate Hawaiian culture. All of my stories have some sort of Hawaiian lens to them, which is extremely important to me. However, I truly enjoy highlighting other Hawaiians and giving them a space to share the work they are doing for the lāhui.

What are your hopes and dreams for the year and beyond?

I always hope to continue to write and create. Ever since I became a mom, I have wanted to start writing stories for keiki, which I hope to do one day. My sister is a talented illustrator, so we have always discussed the idea of collaborating on a project together.

I would also like to see myself be more involved in the community, getting out there and doing ʻāina-based work myself. So many Kānaka are out there organizing and being the boots on the ground for others. I don’t see myself working in an office, sitting at a computer all day long. I want to start doing more hands-on work and fostering change in Hawaiʻi by advocating to return to traditional and Indigenous practices.

What advice do you have for aspiring freelance writers?

To bet on yourself and work hard! No one else is going to do the work for you, so reach out, network, talk story, get to know people that you want to be aligned with, and champion you. Don’t bother with those who don’t believe in you or your stories. Not everyone will share that same perspective.

Can you share a bit about what you are working on next?

For KWO, I never know what story I’ll be getting next, which is part of the excitement! For my job with HPR, I hope to speak with some village members of Puʻuhonua Waiʻanae after the new year for a story. They are in the process of moving out of the boat harbor and some are settling into permanent homes on land deeper within the Waiʻanae Valley. I want to see if the transition into their new village is as the media is presenting it.

Do you have a website? What does your social media presence look like?

I don’t have an updated website. Something that I need to take some time to do! I am definitely more private on social media. I only follow family and friends and don’t use it as a platform to brand myself. I am always open to connecting with others, though!

What advice would you give your younger self?

What is meant to happen will happen. Trust the ride and you’ll get to where you’re meant to be.

Mahalo, Hannah, for sharing your story with us! We wish you much aloha and continued success! 

Image courtesy of Hannah Kaʻiulani Colburn. 

What a year 2025 was!

at-barnes-and-noble

2025 was an amazing year! I am so grateful!

This banner year began with the launch party at Native Books of my debut children’s book, Kaho’olawe: The True Story of an Island and Her People. The book was a dream come true and three years in the making. Mahalo to owner Maile Meyer and her incredible staff for hosting us! 

Then came the wonderful news that the book was a Junior Library Guild Gold Standard selection! By the end of the first quarter, Kaho’olawe had earned starred reviews by the School Library Journal and by Kirkus.

I’m always up to talk about the book, and so I did in a flurry of interviews and posts during the summer and fall. Even more fun was attending several book events with the book’s talented illustrator, Harinani Orme.

We ended the year in the best way imaginable — Kaho’olawe was honored on FIVE national Best of 2025 lists:

Each recognition is such an honor, and I am so very grateful to each of these organizations and to the team at Millbrook Press/Lerner!

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Oh, yeah, and I worked on other writing projects, too.

  • I spent most of the year working on a manuscript for a nonfiction middle grade history tentatively titled Mai Poina, about the 1899–1900 plague and fires at Honolulu’s Chinatown. When I turned it in a week before its due date, I celebrated by doing cartwheels in my head! It’s due to release in 2027.
  • My next picture book, At the Water’s Edge, a biography about the esteemed Native Hawaiian ethnobotanist, Dr. Isabella Aiona Abbott, was announced at Publisher’s Weekly. The illustrator is up-and-coming local Hawai’i artist Remi Jose.
  • Another quick project this summer included writing two Little Golden Books for Disney/Random House, which I think will come out in June 2, 2026.
  • Perhaps most challenging of all, I contributing to a poetry anthology spearheaded by author Keila Dawson, writing about the forced annexation of the Hawaiian Islands.
  • I squeezed in a four-week course on writing novels in verse at Highlights.

I didn’t do a lot of interviews and book reviews on my blog this year, but that’s because I had my hands full with the newest editions to our family, grandson Keaka and granddaughter Lālanihōkū, born in August and October.

Allow me to end the year by thanking those wonderful people who helped guide my literary journey this year.

Thank you for following my blog and following me on Facebook and on Instagram. I send all my aloha to you! See you in 2026!

Image courtesy of Harinani Orme.