interview

Today I am delight­ed to fea­ture my friend, the tal­ent­ed Native Hawai­ian author Tam­my Paikai.  Her five pic­ture books cov­er sub­jects that teach chil­dren impor­tant life lessons but do so in a fun and approach­able way that kids — and their par­ents — love. 

Alo­ha, Tam­my. It’s so good to talk with you! For those who haven’t met you, could you please tell us a lit­tle about yourself?

I like to describe myself as a kind and good per­son.  I was inspired by my father who was my role mod­el grow­ing up.  He was a gen­tle soul, yet had a wit­ty sense of humor that always made me laugh. 

Being a young mom of three won­der­ful chil­dren, my first career was to help sup­port my grow­ing fam­i­ly.  I worked for 20 years at The Plaza Hotel by the Hon­olu­lu Inter­na­tion­al Air­port as the Senior Reser­va­tions Clerk.  In the hos­pi­tal­i­ty indus­try I could help oth­ers and that gave me the most satisfaction. 

My sec­ond career was for me because I had always want­ed to do some­thing cre­ative in my life.  I worked for Island Her­itage as a Cus­tomer Ser­vice Rep­re­sen­ta­tive and Front Office Admin­is­tra­tor for 17 years, and it was such a joy to be around so many cre­ative peo­ple.  I feel so blessed that Island Her­itage gave me the oppor­tu­ni­ty to write books for chil­dren.  It has real­ly been a dream come true.

Where did you grow up? What high school did you grad from?

Although I was born in Hon­olu­lu, Hawaiʻi, my ele­men­tary years were most­ly spent in Rese­da, Cal­i­for­nia.  I returned back to Hawaiʻi when I was 10 years old and attend­ed sev­er­al schools on the West side of the island.  I even­tu­al­ly grad­u­at­ed from Aiea High School.  Liv­ing in Hawaii was where I learned about all the dif­fer­ent eth­nic­i­ties and cul­tures of the islands. 

Who is your biggest supporter?

My biggest sup­port­ers are my fam­i­ly, espe­cial­ly my hus­band of 40+ years.  He always believed in me and my tal­ent.  To this day he loves to share my sto­ries with his young stu­dents.  He has been a Hawai­ian Stud­ies teacher since 1988.  I am so hap­py that he can share these sto­ries with a mes­sage of alo­ha, shar­ing, laugh­ter, fun and self-confidence. 

Why did you become a writer? What inspired you to write for children?

It was a desire deep inside of me to be cre­ative.  From child­hood, I drew car­toons and wrote poet­ry for fun.  At Island Her­itage I want­ed to try my hand at being a writer.  The Cre­ative Direc­tor sug­gest­ed that I sub­mit a man­u­script.  I came up with a lit­tle poem called, Alo­ha Is…,and it was accept­ed and pub­lished in 2006.  To this day, it is still one of Island Her­itage’s Best Sell­ers.  This sto­ry is in rhyme and shares the many mean­ings of alo­ha.  Illus­trat­ed by Ros­alie Pruss­ing, the pic­tures are absolute­ly a work of art! I want­ed to write for the chil­dren of Hawaii to give them books about “us.”  I was very lucky to be part­nered with great artists that brought my sto­ries to life.  Their tal­ents helped me share the beau­ty of our peo­ple, our val­ues, our lifestyle and our home. 

What do you enjoy most about writ­ing for kids? What are some of your great­est chal­lenges in writ­ing for children?

I real­ly enjoy when the kids con­nect with my sto­ries. Like in Too Many Man­goes, per­haps they have man­goes that they have shared with their neigh­bors or maybe they have a hard-of-hear­ing grand­pa too.  I am in awe when some­one says that my book is one of their favorites.  Nev­er in my wildest dreams did I think that would ever hap­pen!  It makes me feel so proud that I can bring joy to oth­ers in my own lit­tle way.  My great­est chal­lenge would be com­ing up with an idea for a sto­ry.  I want all of my sto­ries to be upbeat and pos­i­tive.  I want to give a good mes­sage to the chil­dren and make them smile. 

What are your hopes and dreams for the year and beyond in terms of your writ­ing career and what you would like to see pub­lished in the future?

Right now I am just enjoy­ing my lat­est book, I am Kiki!  I Love Me! which just came out this sum­mer 2022.  The sto­ry begins with Kiki singing a song to her­self on the beach of Hawaiʻi until a vol­ley­ball play­er teas­es her for being so short.  Kiki loves her­self and won’t let oth­ers bring her down.  Illus­trat­ed by Eliza Fort­ney,  the beach scenes are absolute­ly beau­ti­ful with lots to look at. 

I have been wait­ing a very long time to have this sto­ry pub­lished.  I love this sto­ry because I hope to inspire young chil­dren to sim­ply love them­selves the way they are and not let oth­ers make them feel bad about them­selves.  Also, I was able to add a lit­tle poet­ry in the sto­ry which is a fun touch for Kik­i’s confidence. 

There are not a lot of sto­ries for or by Native Hawai­ians and Pacif­ic Islanders. Why do you think that is? What do you think we can do the change that?

We should always encour­age peo­ple to share their own sto­ries.  Like my co-work­er sim­ply encour­aged me to sub­mit a man­u­script, I thought it would be hard­er than that.   Years, lat­er I encour­aged a friend to sub­mit a man­u­script, now she is a pub­lished chil­dren’s author at Island Her­itage too. 

What advice do you have for aspir­ing writers?

 If I can do it, so can you!  Write what you know about, what you enjoy, what you love, etc.  Also, read it out loud to your­self, over and over again to make sure it is just right.  Have a good mes­sage or moral if it is a chil­dren’s sto­ry.  Take pride in your work! 

Which of your books did you have the most fun writ­ing? Which were the most challenging?

I enjoyed writ­ing Too Many Man­goes, a sto­ry about shar­ing.  Grand­pa has so many man­goes that he asks his grand­chil­dren to share the man­goes with the neigh­bors.  Illus­tra­tor Don Robin­son’s char­ac­ters are so delight­ful. I was able to incor­po­rate my fam­i­ly’s names in the sto­ry, and I real­ly did climb my Grand­pa’s man­go tree when I was a child.  By the way, my grand­pa’s name was Mr. Wong, just like the in the story! 

Which were the most chal­leng­ing?  I want­ed to do a fun­ny book with rhymes.  Grand­pa’s Mixed-Up Lūʻau is what hap­pens when a lov­able, but hard-of-hear­ing Grand­pa tries to help Grand­ma get ready for a lūʻau.  Also illus­trat­ed by Don Robin­son, the sto­ry unfolds with his beau­ti­ful pic­tures. At first things were flow­ing nice­ly:  “boy” rhymes with “poi,” “Malia” rhymes with “hau­pia.” But I strug­gled with a rhyme for “kalua pig.”  Then inspi­ra­tion came from above, “Canoe that’s big!” 

What’s your expe­ri­ence with pub­lish­ing your books?

It’s been excel­lent!  The Cre­ative peo­ple at Island Her­itage, a.k.a. The Mad­den Cor­po­ra­tion were not only pro­fes­sion­al but super cre­ative and extreme­ly tal­ent­ed.  I’m sure it helped me by being a co-work­er/friend to the Cre­ative Depart­ment.  Their web­site has not only my books but also they have beau­ti­ful Hawai­ian themed gifts and souvenirs. 

Where do you get ideas for your books?

Hon­esty, I believe my inspi­ra­tion comes from “above.”  Some­thing hap­pens and the title pops in my head and the writ­ing part comes easy after that.  For exam­ple, one day my neigh­bor came to our house and asked if we saw her pet tur­tle that they lost.  I thought to myself, Honu, Honu, Where are You? and then wrote the rhyme for that play­ful sto­ry about baby dol­phin look­ing for his friend, Honu, the sea tur­tle.  Yuko Green who clev­er­ly illus­trat­ed the book using flaps to help hide the tur­tles in  this story. 

Anoth­er time, my daugh­ter was telling me that she put capers in her salmon dish.  I heard “papers” and ques­tioned her about what kind of papers?  She was annoyed, but I thought it was fun­ny.  So I came up with Grand­pa’s Mixed-Up Luau.    

Which char­ac­ters do you relate with eas­i­ly? Why?

Kiki would be the char­ac­ter that I most relate too.  She is short, wears glass­es and is hap­py-go-lucky.  As a young girl my broth­er would tease me and I did­n’t stand up for myself.  I wrote Kiki want­i­ng young girls to love them­selves so that if oth­ers tease her, it would not affect her self-esteem.  My daugh­ter was work­ing on a project a few years ago about empow­er­ment for women of col­or.  That project inspired me to write I am Kiki! I Love Me!  

This is great, Tam­my. Any­thing else?

Maha­lo to my long time friend, Kamalani Hur­ley.  I am so hon­ored for her to share my hum­ble sto­ry.  Also, many thanks to the peo­ple of Hawaii for mak­ing me feel spe­cial and embrac­ing my sto­ries that I real­ly loved writ­ing.  Dreams do come true, thanks to you!

Maha­lo to YOU, Tam­my! We look for­ward to many more of your sto­ries for kei­ki! To con­tact Tam­my Paikai and learn more about her books, please vis­it the Island Her­itage website

Wel­come to the first in a new series of inter­views with Native Hawai­ian and local Hawaiʻi writers! 

I am very pleased to intro­duce award-win­ning author Ili­ma Loomis. She has an exten­sive back­ground not only in writ­ing for chil­dren but also in jour­nal­ism, con­tent mar­ket­ing, sci­ence and tech­nol­o­gy. Her goal is to help her read­ers to make sense of com­pli­cat­ed subjects.

Alo­ha, Ili­ma. For those who haven’t met you, could you please tell us a lit­tle about yourself?

Alo­ha! My name is Ili­ma Loomis, and I’m the author of chil­dren’s books includ­ing ‘Ohana Means Fam­i­ly and Eclipse Chas­er: Sci­ence in the Moon’s Shad­ow. Along with writ­ing books for young read­ers, I also work as a sci­ence writer! I inter­view sci­en­tists and help explain their research and dis­cov­er­ies for a gen­er­al audi­ence. I start­ed my career as a com­mu­ni­ty jour­nal­ist, work­ing as a reporter for The Maui News. While I was born and lived most of my life in Hawaii, I recent­ly moved to Van­cou­ver, Canada.

Where did you grow up? What high school did you grad from?

I was born and raised in Kailua, Oahu, and I grad­u­at­ed from Iolani School in Hon­olu­lu. Go Raiders!

Who is your biggest supporter?

My daugh­ter is 15, and she recent­ly told me that she was proud of what I do and she thought I was cool. That real­ly meant so much to me! I’m grate­ful to be her mom. She inspires me.

Thatʻs very cool. Why did you become a writer? What inspired you to write for children?

I actu­al­ly start­ed out as a jour­nal­ist. I’ve always writ­ten non­fic­tion because I’m inspired by the real world. My first chil­dren’s book was actu­al­ly a spin-off from a non­fic­tion book I wrote about pan­io­lo and ranch­ing in Hawaii. After I fin­ished the book for adults, I thought it would also make a good sub­ject for kids, so I pitched and wrote a pic­ture book. I loved the expe­ri­ence of writ­ing for kids and was hooked.

What do you enjoy most about writ­ing for kids? What are some of your great­est chal­lenges in writ­ing for children?

I love the chal­lenge of tak­ing a com­plex sub­ject and fig­ur­ing out how to dis­till it into a sto­ry that kids will under­stand and relate to or find inter­est­ing. It real­ly forces you as a writer to think about what’s most impor­tant and what you most want to say. It’s such a short for­mat, there’s no room for any ram­bling or digres­sion. Even though I’m writ­ing non­fic­tion, I still have to think cre­ative­ly about how to say what I want to say, and how to turn these cold facts into a sto­ry that makes the read­er feel emo­tion. It makes me a bet­ter writer. 

There are not a lot of sto­ries for or by Native Hawai­ians and Pacif­ic Islanders. Why do you think that is? What do you think we can do the change that?

First, I want to note that I’m not Native Hawai­ian; I’m from a mul­ti-gen­er­a­tional kama’aina fam­i­ly. Hawaiʻi is my home, and it meant so much to me to be able to share some­thing about Hawaiʻi’s cul­ture with this book. I also want to cred­it and thank Hōkūao Pel­le­gri­no for review­ing and adding his cul­tur­al exper­tise to the book.

I absolute­ly believe that there is a huge need for more books for and by Native Hawai­ians and Pacif­ic Islanders. It’s grat­i­fy­ing to see that chil­dren’s pub­lish­ing has embraced diver­si­ty in the last few years and is start­ing to catch up with the long over­looked need for sto­ries that reflect the diverse world in which we live. That push for diver­si­ty needs to include indige­nous voic­es, in par­tic­u­lar Native Hawai­ians and Pacif­ic Islanders.

There’s a lot I don’t under­stand about how pub­lish­ing works as an indus­try, but I do think that orga­ni­za­tions like SCBWI (Soci­ety of Chil­drenʻs Book Writ­ers and Illus­tra­tors) can sup­port this move­ment by con­tin­u­ing to work on being more diverse and inclu­sive in their mem­ber­ship and pro­grams for up-and-com­ing writ­ers and illus­tra­tors. I think the SCBWI Hawaiʻi Chap­ter is doing a great job on that and I hope they con­tin­ue to push even hard­er toward those goals. And of course as read­ers the best thing we can do to show pub­lish­ers that there’s demand for books by and for Native Hawai­ians and Pacif­ic Islanders is to buy and sup­port the books that are already out there. I think it’s espe­cial­ly impor­tant to sup­port local Hawaii pub­lish­ers, because they’re the ones lead­ing the way in shar­ing Native Hawai­ian and Pacif­ic Islander sto­ries, and that’s where many new writ­ers and illus­tra­tors get their start. Local pub­lish­ers are an impor­tant resource for read­ers and writ­ers in Hawaii, and we need to sup­port them!

Are you on social media? Do social media play a role for you as an author? Do your read­ers con­tact you? What do they say?

I do some social media (where else would I find an out­let for all the pho­tos I take of my dog??). Writ­ing can be a lone­ly activ­i­ty, so I found that social media was a great way to con­nect with oth­er writ­ers and build com­mu­ni­ty. I do some­times hear from read­ers, and I absolute­ly love it when I see peo­ple share that they enjoyed my book. It’s espe­cial­ly cool when I see the book shared by librar­i­ans or teach­ers! As an author though, I try to turn off the social media for a while so I can focus on my writ­ing with­out distractions.

What advice do you have for aspir­ing writers?

There’s no sub­sti­tute for just writ­ing a lot and putting it out there for peo­ple to read. I actu­al­ly believe it’s more impor­tant to write a lot than to write well. You learn some­thing every time your work gets released into the world, so take every oppor­tu­ni­ty you can. Some writ­ers will hang on to their work, pol­ish­ing and pol­ish­ing, because it’s nev­er good enough. Per­fec­tion­ism is a killer. Just let it go.

Can you share a bit of your cur­rent work?

I’m work­ing on an idea about pol­li­na­tor gar­dens! I’m inspired by small-scale conservation.

Which of your books did you have the most fun writ­ing? Which were the most challenging?

I actu­al­ly had an incred­i­ble expe­ri­ence writ­ing Eclipse Chas­er. I had the oppor­tu­ni­ty to trav­el to the 2017 total solar eclipse with Uni­ver­si­ty of Hawaii solar physi­cist Sha­dia Hab­bal and her team. We camped in the Ore­gon desert, and she allowed me to doc­u­ment her expe­di­tion for the book. It was a once-in-a-life­time experience!

What beliefs are your books challenging?

Inter­est­ing ques­tion! I don’t think I set out to chal­lenge peo­ple’s beliefs, but in ‘Ohana Means Fam­i­ly I want­ed read­ers to reflect on how food con­nects us with each oth­er, with nature, and with the world.

What’s your expe­ri­ence with pub­lish­ing your books?

My first two books, Ka’im­i’s First Round-Up and Rough Rid­ers: Hawai­i’s Pan­io­lo and Their Sto­ries were pub­lished with a local pub­lish­er (Island Her­itage). It was a great expe­ri­ence, and I am real­ly grate­ful Island Her­itage took a chance on my books and gave me the oppor­tu­ni­ty to work on those projects as a young writer. I actu­al­ly orig­i­nal­ly wrote ‘Ohana Means Fam­i­ly with the inten­tion of pub­lish­ing it local­ly as well. But when I con­nect­ed with my agent, Kel­ly Son­nack, she thought there would be inter­est out­side of Hawaii. She end­ed up sell­ing it to Neal Porter, an acclaimed chil­dren’s book edi­tor. It was an incred­i­ble oppor­tu­ni­ty to be able to work with Neal on my first pic­ture book out­side of Hawaii, and I think he did an amaz­ing job with the book. I was espe­cial­ly excit­ed that he select­ed illus­tra­tor Kenard Pak to cre­ate the art, and I think the results were absolute­ly gorgeous.

Where do you get ideas for your books?

I’m inspired by the nat­ur­al world and how humans inter­act with nature!

Which char­ac­ters do you relate with eas­i­ly? Why?

I’m a qui­et, intro­spec­tive per­son, so I usu­al­ly relate to qui­et, intro­spec­tive characters.

Can you share a bit about your next book?

As I men­tioned, I’m work­ing about a book about pol­li­na­tor gar­dens. For inspi­ra­tion, I plant­ed some native wild­flow­ers in a planter on my deck. Now that I live in the Pacif­ic North­west there are so many plants and ani­mals that are new to me. I love watch­ing the bees buzzing around the flow­ers, and I’m espe­cial­ly excit­ed every time hum­ming­birds come for a vis­it! They’re so tiny and cute! I love the idea that humans can inter­act with nature and sup­port con­ser­va­tion even if they live in small spaces or in the mid­dle of a big city.

 

Maha­lo nui, Ili­ma, and best wish­es for your con­tin­ued suc­cess! To con­tact Ili­ma Loomis and learn more about her books, vis­it her web­site, Ilimaloomis.com.