Happy Book Birthday!

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Happy-book-birthday
Illus­tra­tion @ Hari­nani Orme

Kahoʻo­lawe: The True Sto­ry of an Island and Her Peo­ple
Writ­ten by Kamalani Hur­ley, illus­trat­ed by Hari­nani Orme
Millbrook/Lerner (Feb 4, 2025)
ISBN 979–8765605011
Sug­gest­ed for ages 7 — 11, grades 2 — 5

Pho­to cred­its: Hari­nani Orme and Rok­ki Midro

You are Invited to Our Book Launch at Native Books in Honolulu on February 8

Flier

You are cor­dial­ly invit­ed to the offi­cial book launch of Kaho’o­lawe: The True Sto­ry of an Island and Her People

at Native Books (1164 Nuʻuanu Avenue, Chi­na­town His­toric Arts District)

on Sat­ur­day, Feb­ru­ary 8, 2025, from 11 am — 1 pm

Hari­nani Orme, the book’s won­der­ful illus­tra­tor, and I plan to share about the book’s jour­ney to pub­li­ca­tion in a relaxed, talk sto­ry-type format.

Maile Mey­er and the good folks Native Books have gra­cious­ly offered to donate a por­tion of the pro­ceeds of books sold dur­ing the event to the Pro­tect Kahoʻo­lawe ʻOhana. Maha­lo nui!

Flier
Illus­tra­tion @ Hari­nani Orme

We look for­ward to talk­ing sto­ry with you at there!

 

Kahoʻo­lawe: The True Sto­ry of an Island and Her Peo­ple
Writ­ten by Kamalani Hur­ley, illus­trat­ed by Hari­nani Orme
Millbrook/Lerner (Feb 4, 2025)
ISBN 979–8765605011
Sug­gest­ed for ages 7 — 11, grades 2 — 5

100% of the authorʻs pro­ceeds will be donat­ed to the Pro­tect Kahoʻo­lawe ʻOhana

Fli­er cre­at­ed by Native Books. Pho­to cred­its: Hari­nani Orme and Rok­ki Midro

Interview with Native Hawaiian Illustrator Malia Pila

malia-pila

I like to think I’m a word­smith. I can often take an idea and work to find the best words to tell a sto­rymalia-pila I hope my young read­ers will love.

But a chil­dren’s book is way more than words. Beau­ti­ful illus­tra­tions are key to mak­ing well-writ­ten sto­ries and turn­ing them into visu­al mag­ic for young readers.

Tal­ent­ed Native Hawai­ian illus­tra­tor Malia Pila is one such magi­cian. Her charm­ing, gor­geous images have a cin­e­mat­ic aes­thet­ic that young read­ers and their grownups love.

We are so pleased to talk sto­ry with Malia today.

Alo­ha e Malia! For those who haven’t met you, could you please tell us a lit­tle about yourself? 

My name is Malia Pila, and I’m an illus­tra­tor work­ing pri­mar­i­ly in pic­ture books these days, but I have also worked in visu­al devel­op­ment for ani­ma­tion! I enjoy explor­ing dif­fer­ent media and styles with my art­work when­ev­er I can as well as research­ing niche things like his­tor­i­cal cos­tum­ing and the mythol­o­gy of dif­fer­ent cultures.

My biggest sup­port­er for near­ly 15 years now has been my (soon-to-be) hus­band. My career path has not been very clear or lin­ear and even when I’ve had moments of self-doubt, he has always been at my side to help me back onto my feet and find inspi­ra­tion again. 

Con­grat­u­la­tions on your engage­ment! Where did you grow up? 

I grew up in a hand­ful of dif­fer­ent places. A large part of my child­hood was spent between Hilo where my father is from and Kona, but we even­tu­al­ly moved to the main­land, and I spent my teen years in places like Flori­da and Arkansas.

Poliahu
Illus­tra­tion @ Malia Pila

What has been your jour­ney to becom­ing a pro­fes­sion­al illus­tra­tor? Why did you become an illustrator/artist? Have you always want­ed to cre­ate art? 

I have always had a desire to cre­ate art, but it took some time to land specif­i­cal­ly on “pro­fes­sion­al illus­tra­tor.” My old­er sis­ter intro­duced me to draw­ing when I was about 6, and while I’m sure I drew plen­ty before then, I specif­i­cal­ly remem­ber her intro­duc­tion hav­ing a pro­found impact on me and ignit­ing a spark that has just refused to die down since.

I’ve been lucky that my fam­i­ly has nev­er put down my dreams or insist­ed I piv­ot to some­thing else com­plete­ly. So by the time I made it to uni­ver­si­ty, I had refined an incred­i­bly vague career plan of “ARTIST” into a more spe­cif­ic goal to work in the ani­ma­tion indus­try. I stuck with that ulti­mate­ly, but I also found myself exposed to new things that real­ly began to turn my head like illus­trat­ing for pic­ture books and study­ing art history.

After uni­ver­si­ty, I was left in a place I think a lot of fresh grad­u­ates are in after art school. There is so much uncer­tain­ty in many cre­ative indus­tries, so it can be over­whelm­ing. I’ve tried to just focus on what makes me hap­py to cre­ate and that has real­ly led me to where I am now.

What kinds of illus­tra­tion work have you done? What do you enjoy most about illus­trat­ing, espe­cial­ly for a young audi­ence? What are some of your great­est challenges? 

I enjoy illus­trat­ing for the sheer enjoy­ment of cre­at­ing, to be hon­est. It is so fun to think of some­thing that per­haps no one has ever thought of before or, alter­na­tive­ly, what many many peo­ple have thought of in very dif­fer­ent ways, and see it put down on paper or can­vas. When it comes to illus­trat­ing for a young audi­ence specif­i­cal­ly, what I love about it is try­ing to inspire the same thoughts and feel­ings I once had as a child look­ing at art­work in books or rum­mag­ing through dif­fer­ent cov­ers at the library.

That itself sort of becomes my great­est chal­lenge, too. I want to con­vey so much with my art some­times that I have to sit back and pick what to include so as not to over­whelm an indi­vid­ual illus­tra­tion or mud­dy a con­cept and message.

Fall-scene
Illus­tra­tion @ Malia Pila

Do you have a favorite medi­um to work with? Why is that?

I recent­ly picked up gouache paint­ing again, and while I’m still refa­mil­iar­iz­ing myself with the medi­um, I’d say it is becom­ing a new favorite. For the most part, I’ve worked pri­mar­i­ly dig­i­tal­ly as an illus­tra­tor until recent­ly, and while I love all that dig­i­tal work offers in the way of flex­i­bil­i­ty and ease, I real­ly enjoy get­ting my hands back on some­thing more tac­tile and messy like paints.

Can you share a bit about what you’re work­ing on now? What’s your inspiration? 

Some­thing that has always inspired me is my child­hood grow­ing up in Hawaiʻi. I have such fond mem­o­ries of sit­ting on my grandpa’s lanai eat­ing man­a­pua, gawk­ing at tide pools, and play­ing with sleep­ing grass as a kid. On the flip side, leav­ing all of that and mov­ing to the main­land was incred­i­bly dif­fi­cult for me. I’m just start­ing out with the idea, but I’m hop­ing to play with it a lit­tle and see if these inspi­ra­tions can come togeth­er as either a series of illus­tra­tions to speak on these expe­ri­ences or, who knows, maybe even a pic­ture book!

That sounds so fun! What are your hopes and dreams for the year and beyond in terms of your career and what you do you hope for your career in the future?

I’m start­ing 2025 with a lot of hopes! I recent­ly signed with an agent so I’m look­ing for­ward to debut­ing on new books and oth­er projects in the new year. My dream for the next year is to build a good foun­da­tion for myself as a pro­fes­sion­al illus­tra­tor and past that? I would love to explore the pos­si­bil­i­ty of pub­lish­ing a book as an author/illustrator myself. To be added along­side oth­er pub­lished Pacif­ic Islanders would be such a dream!

What advice would you give an aspir­ing illus­tra­tor?

It is okay to piv­ot. It is okay to take a break, too! I went through sev­er­al years of my life when cre­at­ing art was not a pri­or­i­ty for me because I was deal­ing with some very dif­fi­cult things. I felt bad about this for a while but hon­est­ly, a break was what I need­ed and I do not feel as if I irrev­o­ca­bly dam­aged my career by tak­ing one as I even­tu­al­ly came back rest­ed and reen­er­gized and caught right back up to my peers. Some­times tak­ing a chance to sit back and take in oth­er media can be so help­ful when you’ve been cre­at­ing end­less­ly for a while and feel burnt out.

Sleeping
Illus­tra­tion @ Malia Pila

What kinds of books do you enjoy read­ing? Any favorites?

I read a lot of his­tor­i­cal fic­tion and some of my favorite books tend to fall into that cat­e­go­ry. 2024 was unfor­tu­nate­ly a slow read­ing year for me but one of my favorites that I fin­ished was The God of End­ings by Jacque­line Holland.

I’m hop­ing to read so much more in 2025. Specif­i­cal­ly, I want to focus on read­ing more books by oth­er Pacif­ic Islanders. In the past, I’ve found it a lit­tle dif­fi­cult to track down titles but thanks to resources like Pacif­ic Islanders in Pub­lish­ing, I have a grow­ing read­ing list to work through.

What’s your online presence? 

My port­fo­lio web­site is maliapila.com. I’m a lit­tle more active these days on Insta­gram (or I try to be, any­way) and can be found there at maliapila.art. I wel­come any­one that wants to chat or connect!

Maha­lo nui, Malia, for talk­ing sto­ry with us! We’re look­ing for­ward to hear­ing more from you soon! To learn more about Malia and see her won­der­ful illus­tra­tions, vis­it her web­site, Malia Pila.com, and fol­low her on Ista­gram at maliapila.art. Malia is rep­re­sent­ed by James McGowan at Book­Ends Lit­er­ary Agency.

Images cour­tesy of Malia Pila.

Book Review: Lei and the Invisible Island by Malia Maunakea

Lei-book2-cover

Native Hawai­ian author Malia Mau­nakea has done it again with book #2 in her Lei and the Leg­ends series for mid­dle graders. Her newest book, Lei and the Invis­i­ble Island, takes Lei and the gang on a some­times wild, some­times scary, but always fun and sat­is­fy­ing adventure.

Lei and the Invis­i­ble Island begins where Lei and the Fire God­dess leaves off. Just when it seems that Kaipo, her best friend and ʻau­makua, is safe, his pen­dant goes miss­ing. Now the race is on to save Kaipo from oblivion.

The ever-resource­ful Lei gath­ers her friends and takes the read­er on an adven­ture that is ulti­mate­ly indige­nous at its roots. Yet today’s read­er will find the sto­ry acces­si­ble because of its fresh, mod­ern take on tra­di­tion­al legends.

All of the char­ac­ters — Kaipo, ʻIlikea, Tūtū, new char­ac­ter Kaukahi — are very well devel­oped, but I espe­cial­ly love the char­ac­ter of Lei, who is total­ly lik­able as the hero the sto­ry. Lei is relat­able because she isn’t per­fect. She is a ful­ly fleshed out pro­tag­o­nist, a strong and cre­ative leader who must deal with doubts and dif­fi­cult deci­sions. It is clear that Lei has a heart and courage and is thor­ough­ly invest­ed to meet the dan­ger­ous task at hand.

I real­ly like that sto­ry appeals to young read­ers in the respect they are shown. The book deft­ly car­ries the under­ly­ing mes­sage of hope and for­give­ness that the read­er comes to nat­u­ral­ly in a fun and scary way that mid­dle grad­er read­ers love.

The authen­tic­i­ty in Malia Mau­nakea’s voice shines through. I love her local and kana­ka ʻoi­wi ref­er­ences which are woven like a lei haku through­out the book. The use of ʻōle­lo Hawaiʻi is tru­ly won­der­ful, and Tūtū’s pid­gin is spot on.

Lei-book2-cover
Cov­er Illus­tra­tion @ Phung Nguyen Quang from Lei and the Invis­i­ble Island by Malia Mau­nakea (Pen­guin Work­shop, 2024)

Malia Mau­nakeaʻs web­site includes a very cool pro­nun­ci­a­tion guide (yes, that’s her voice on the audio clips) to the Hawai­ian words used in the book. 

Lei and the Invis­i­ble Island is a Native Hawai­ian sto­ry with uni­ver­sal themes all read­ers will love.  This book and book #1 Lei and the Fire God­dess are fun and excit­ing sto­ries and ter­rif­ic intro­duc­tions to the Native Hawai­ian cul­ture. They deserve space on every mid­dle grader’s bookshelf. 

You can learn more about the author in our inter­view with Malia Maunkea and our review of Lei and the Fire God­dess.

 

Lei and the Invis­i­ble Island
By Malia Mau­nakea
Pen­guin Work­shop, 2024
ISBN 978–0593522059Recommended for ages 8 — 12

Please read our dis­claimer to learn our book review pol­i­cy. Mahalo!

Review copy and image cour­tesy of Malia Maunakea

Book Review: Tala Learns to Siva

Cover

There’s some­thing mag­i­cal about chil­dren’s books writ­ten by Native Hawai­ian and Pacif­ic Island authors.

Until recent­ly, sto­ries about our com­mu­ni­ties told by our peo­ple were large­ly miss­ing in chil­dren’s lit­er­a­ture. Thank­ful­ly, the times are chang­ing, and more voic­es are emerg­ing to tell our own sto­ries. The best of these nar­ra­tives sing with heart and authen­tic­i­ty that comes from being root­ed in the community.

Tala Learns to Siva is one of those sto­ries. This delight­ful Pacif­ic Island sto­ry by tal­ent­ed author Kealani Netane deserves a space not just on a child’s book­shelf but on school library shelves everywhere. 

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Illus­tra­tion @ Dung Ho from Tala Learns to Siva by Kealani Netane (Scholastic/Orchard Books, 2024)

Young Tala watch­es her Aun­ty Siva per­form the tra­di­tion­al Samoan taualu­ga. Cap­ti­vat­ed by her aun­t’s grace and beau­ty, Tala asks her to teach her to dance in time for her grand­moth­er’s birth­day par­ty. But as with most things worth learn­ing, what at first seems easy actu­al­ly takes work and prac­tice. Will Tala learn to dance in time to share her siva with her grand­moth­er? She decides to do her best.

Like all good sto­ries for chil­dren, Tala Learns to Siva res­onates with young read­ers every­where. They will eas­i­ly relate to the uni­ver­sal sto­ry of the young pro­tag­o­nist’s deter­mi­na­tion to over­come her doubts and fears. Tala prac­tices every­where she goes and works hard to mas­ter the hand and foot move­ments. But it’s when Tala under­stands that the dance con­nects her to her ances­tors that she tru­ly begins to shine.

Tala-and-Family
Illus­tra­tion @ Dung Ho from Tala Learns to Siva by Kealani Netane (Scholastic/Orchard Books, 2024)

The illus­tra­tions by New York Times best­selling illus­tra­tor Dung Ho are col­or­ful and vibrant. The art beau­ti­ful­ly invites the read­er to become a part of Tala’s island family.

Two spreads are my par­tic­u­lar favorites. I love the dance spread on pages 20–21. Both text and art do a won­der­ful job of cap­tur­ing Tala’s joy and tri­umph as she dances the taualu­ga solo for her fam­i­ly and friends. 

And I espe­cial­ly adore the fam­i­ly’s reac­tion to Tala’s solo on page 22. Grow­ing up in Hawai’i, I’ve attend­ed many Samoan par­ties and cel­e­bra­tions, and they often end just as page 22 so effec­tive­ly shows, with elders and oth­ers join­ing in on the fun. This page is my very favorite, I think, because it speaks to me per­son­al­ly, because these folks could be my own friends and neigh­bors. And isn’t being able to relate to a char­ac­ter or to a piece of art what makes a book special?

Tala-dances-solo
Illus­tra­tion @ Dung Ho from Tala Learns to Siva by Kealani Netane (Scholastic/Orchard Books, 2024)

The back mat­ter includes a glos­sary of terms and an author’s note. In it Kealani express­es her love for Samoan dance and tra­di­tions that she grate­ful­ly pass­es on to her children.

Tala Learns to Siva is a won­der­ful intro­duc­tion to Pacif­ic Island cul­ture and a most wor­thy addi­tion to any bookshelf.

Tala Learns to Siva
Writ­ten by Kealani Netane, illus­trat­ed by Dung Ho
Orchard Books, an imprint of Scholas­tic Books, 2024
ISBN 978–1338859317
Sug­gest­ed for ages 4 — 8 

Meet author Kealani Netane in our talk sto­ry interview! 

Please read our dis­claimer to learn our book review pol­i­cy. Mahalo!

Gal­ley review copy and images cour­tesy of Kealani Netane.

Publisher’s Weekly Sneak Peak: Kaho’olawe Picture Book!

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I’ve missed you, my read­ing and writ­ing friends! It’s been a lit­tle while since my last blog post, but that’s because I’ve been work­ing on a cou­ple of man­u­scripts. As Stephen King once said, When you’re writ­ing, the book is boss. No kidding.

My debut pic­ture book, Kaho’o­lawe: The True Sto­ry of An Island and Her Peo­ple (illus­trat­ed by Hari­nani Orme) is sched­uled for Spring 2025. And look what I found in Pub­lish­er’s Week­ly Spring 2025 Chil­dren’s Sneak Peak issue! 

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from Pub­lish­er’s Week­ly Chil­dren’ Seank Peak Spring 2025 

Woohoo!

It’s been two-years from idea to almost pub­li­ca­tion, and I can’t wait to share this book as well as my oth­er projects with you!

Maha­lo to Michael Nahoʻopiʻi of the Kahoʻo­lawe Island Reserve Com­mis­sion and espe­cial­ly Davian­na McGre­gor of the Pro­tect Kahooolawe ‘Ohana for their gen­eros­i­ty and encouragement.

More soon!

Book Review: I See Color, by Valerie Bolling and Kailei Pew

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Author Valerie Bollingʻs pic­ture books are always great choic­es for kids. Her col­or­ful, lyri­cal ear­ly read­ers and pic­ture books focus on the sim­ple joys and tri­umphs of childhood.

Her first non-fic­tion pic­ture book is a col­lec­tion of bio­graph­i­cal sketch­es, I See Col­or: An Affir­ma­tion and Cel­e­bra­tion of Our Diverse World. Fea­tured are lead­ers, many lit­tle-known to today’s kids, who have made pro­found impacts on the world. The col­lec­tion’s short, engag­ing for­mat makes it the per­fect intro­duc­tion of short biogra­phies to children.

I am delight­ed that our own Native Hawai­ian activist and schol­ar, the late Dr. Hau­nani-Kay Trask, is one of the fea­tured unsung heroes! Hau­nani is pre­sent­ed in a love­ly a two-page spread: a con­cise yet thought­ful pas­sage high­light­ing her key con­tri­bu­tions accom­pa­nied by a beau­ti­ful illustration. 

I-see-color-cover
Cov­er Illus­tra­tion @ Laylie Fra­zier from I See Col­or by Valerie Bolling and Kailei Pew (Harper­Collins, 2024)

The pas­sage has all the hall­marks of author Bolling’s won­der­ful books with lyri­cal, approach­able lan­guage, and the art­work is gor­geous. Most of all, I love that I See Col­or can become a jump­ing off point for kids every­where to dis­cov­er more about the peo­ple fea­tured but espe­cial­ly about Hau­nani-Kay Trask and her fierce alo­ha for our lāhui.

This beau­ti­ful­ly illus­trat­ed pic­ture book is the ide­al gate­way for kids to learn about the peo­ple of col­or who con­tin­ue to make a dif­fer­ence in our lives. 

I See Col­or: An Affir­ma­tion and Cel­e­bra­tion of our Diverse World
Writ­ten by Valerie Bolling and Kailei Pew, illus­trat­ed by Laylie Fra­zier
Harper­Collins, 2024
ISBN 978–0063234260
Sug­gest­ed for ages 4 — 8 

Please read our dis­claimer to learn our book review pol­i­cy. Mahalo!

Review copy and image cour­tesy of Valerie Bolling.

Book Review: Aloha Everything

Aloha-everything-cover

You know me. I LOVE books, art, and films that focus on the Native Hawai­ian com­mu­ni­ty and our Pacif­ic Island cousins. I love them so much that my blog focus­es on inter­view­ing these amaz­ing cre­ators. As native peo­ples, our voic­es have tra­di­tion­al­ly been under­rep­re­sent­ed. Thank­ful­ly, this is chang­ing, with books by Native Hawaiian/Polynesian authors includ­ing Gab­by Ahuli’i, Tam­my Paikai, Malia Mau­nakea, Shar Tuiʻa­soa, Brook Park­er, and now, Kaylin Melia George, enter­ing the market.

Alo­ha Every­thing is a beau­ti­ful, sweep­ing intro­duc­tion to Hawai­ian cul­ture and his­to­ry, espe­cial­ly help­ful for those unfa­mil­iar with the Native Hawai­ian people.

Aloha-everything-cover
Illus­tra­tion @ Mae Waite from Alo­ha Every­thing by Kaylin Melia George (Mythi­fy, 2023)

The debut pic­ture book by Native Hawai­ian author Kaylin Melia George and illus­trat­ed by Hawaii-based artist Mae Waite, Alo­ha Every­thing is writ­ten in rhyme, an effec­tive sto­ry-telling tech­nique for reach­ing young read­ers and their grown-ups.

The spreads read like dream sequences full of authen­tic Hawai­ian imagery. The book moves quick­ly, touch­ing on the many tra­di­tions that are impor­tant to the Hawai­ian people.

The phrase “What did hula teach her?” is repeat­ed three times in the book, and although the book is not actu­al­ly about hula, the refrain is an effec­tive device that helps orga­nize the glob­al top­ics to make them eas­i­er for young read­ers to grasp.

The back mat­ter pro­vides a pro­nun­ci­a­tion guide and glos­sary in addi­tion to biogra­phies of both author and illus­tra­tor. I love lots of back mat­ter in pic­ture books, and includ­ed enrich­ment mate­ri­als will be wel­comed by schools, hālau, and oth­er readers.

Aloha-Everything-Spread
Illus­tra­tion @ Mae Waite from Alo­ha Every­thing by Kaylin Melia George (Mythi­fy, 2023)

Alo­ha Every­thing is one of the most beau­ti­ful pic­ture books I’ve ever seen. At the risk of sound­ing over the top, the illus­tra­tions are stag­ger­ing­ly beau­ti­ful. More than sup­port­ing the text, the art does its own sto­ry­telling. Like all great illus­tra­tions in chil­dren’s lit­er­a­ture, they are key to under­stand­ing and appre­ci­at­ing the cul­ture and his­to­ry explained in the book. 

Artist Mae Waite is a won­der. Her vibrant, mag­i­cal art­work leaps off the page. I love all of the illus­tra­tions, but my favorite accom­pa­nies the first “What did hula teach her?” refrain. In it, the girl is in a hula pose, as to say maha­lo to the gods and the ʻāi­na: arms stretched before her, eyes closed, her long dark hair swirling all around in hues of pur­ple and laven­der. Gorgeous.

Each spread is rich­ly lay­ered, a riot not just of col­or but of images. You know how some pic­ture books con­tain pret­ty but for­get­table illus­tra­tions that you don’t real­ly stop to look at? Not so with Alo­ha Every­thing. With Ms. Wait­e’s art, I found myself slow­ing down to exam­ine the tiny details that make up the com­po­si­tion as a whole.

More than just pret­ty, the illus­tra­tions are the per­fect jump­ing off point for dis­cus­sions. I can imag­ine a class using an illus­tra­tion as a start­ing point to explore Hawai­ian cul­ture, such as the con­cept of alo­ha in the title, the myth of the demigod Maui las­so­ing the sun, the process of tra­di­tion­al kapa mak­ing, and the var­i­ous flo­ra and fau­na of Hawai­ian forests.

Aloha-Everything-Spread-2
Illus­tra­tion @ Mae Waite from Alo­ha Every­thing by Kaylin Melia George (Mythi­fy, 2023)

As much as I love the imagery, I felt inter­ac­tions the girl might’ve had with ʻohana, espe­cial­ly with her makua, were missing. 

Over­all, Alo­ha Every­thing is a beau­ti­ful intro­duc­tion to Native Hawai­ian cul­ture and a wor­thy addi­tion to any bookshelf.

Alo­ha Every­thing
Writ­ten by Kaylin Melia George, illus­trat­ed by Mae Waite
Mythi­fy, 2023
ISBN 978–1636551128
Sug­gest­ed for ages 5 — 8 

Meet author Kaylin Melia George and illus­tra­tor Mae Waite in our talk sto­ry interviews. 

Please read our dis­claimer to learn our book review pol­i­cy. Mahalo!

Gal­ley review copy and images cour­tesy of Kaylin Melia George.

Book Review: Punky Aloha, by Shar Tuiʻasoa

Punky Aloha

 

It’s a fact of the mar­ket­place that many pic­ture books with the unfor­tu­nate tim­ingPunky Aloha of being released dur­ing the COVID pan­dem­ic were often not giv­en the atten­tion they deserved.

And that’s real­ly too bad, because they mer­it space on our bookshelves.

Punky Alo­ha, the debut pic­ture book by tal­ent­ed author/illustrator Shar Tuiʻa­soa, is one of these hid­den gems. Released in mid-2020 dur­ing the height of the pan­dem­ic, Punky is just the kind of delight­ful sto­ry kids — and their grown-ups — will love.

We meet lit­tle Punky Alo­ha with her best friend, her grand­moth­er. They love to go on all kinds of fun escapades togeth­er. Punky tell us that she was­n’t always the brave adven­tur­er she is now.

It all began, Punky says, with a fresh­ly baked loaft of grand­ma’s banana bread. Need­ing but­ter to slather on the top of the loaf, Grand­ma sends her to the near­by mar­ket to pick some up for her.

Feel­ing a bit fear­ful of going by her­self (“If I go to the mar­ket, I’m sure to bump into some­one new. And when­ev­er I bump into some­one, I start to feel shy,” Punky con­fess­es), lit­tle Punky hes­i­tates, until her grand­moth­er gives her a pair of bright yel­low “mag­i­cal” sun­glass­es that will help her meet the task at hand.

Before Punky leaves, Grand­ma reminds Punky to show her alo­ha by being help­ful, giv­ing, and brave to all she meets.

And so Punky’s big adven­ture begins. Using her wits — and her alo­ha — Punky over­comes her shy­ness to help those she meets on the way to the mar­ket. At the end of the book, Punky and her grand­ma are right­ly proud of her­self, and she is reward­ed with a big dose of con­fi­dence … and a thick slice of banana bread with melt­ing butter.

Punky-Aloha
Illus­tra­tion © Shar Tuia­soa from Punky Alo­ha by Shar Tuia­soa (Harper­Collins, 2022)

I love this book. The inter­gen­er­a­tional sto­ry is charm­ing. The inter­ac­tion between Punky and her grand­ma is warm and sweet.

Ulti­mate­ly, Punky Alo­ha res­onates with kids. They don’t have to be Poly­ne­sian girls to see them­selves in her, a kind, car­ing, adven­tur­ous character.

And did I men­tion that the book is gor­geous? Fea­tur­ing Shar’s trade­mark trop­i­cal col­ors, the illus­tra­tions are vibrant greens, reds, oranges, yel­lows, and blues. Punky her­self is adorable with her messy chignon (a won­der­ful “tita bun”), slip­pers, and skate­board. Each spread is so beau­ti­ful that I bought a sec­ond copy of the book just so I tear the pages out and frame them to dec­o­rate the bed­room of my own lit­tle Punky Alo­ha, my five year old granddaughter. 

Punky-Aloha-spread01
Illus­tra­tion © Shar Tuia­soa from Punky Alo­ha by Shar Tuia­soa (Harper­Collins, 2022)

I wish Shar’s pub­lish­er had encour­aged her to pro­vides enrich­ment activ­i­ties around Punky Alo­ha. The book eas­i­ly sug­gests oppor­tu­ni­ties for those seek­ing sto­ry­telling from diverse and under­rep­re­sent­ed voic­es, includ­ing class­room activ­i­ties around the mean­ing of alo­ha. Teach­ers, librar­i­ans, and fam­i­lies can incor­po­rate the book’s theme of social and emo­tion­al learn­ing as Punky demon­strates skills that all kids need to meet challenges. 

For so many rea­sons, Punky Alo­ha is a must read.

Punky Alo­ha
Writ­ten and illus­trat­ed by Shar Tuiʻa­soa 
Harper­Collins, 2020
ISBN 978–006379236
Sug­gest­ed for ages 4 — 8 

Meet author/illustrator Shar Tuiʻa­soa in our talk-sto­ry inter­view. Punky Alo­ha and all of Sharʻs gor­geous col­lectible illus­tra­tions and prints are avail­able at Punky Alo­ha Stu­dio.

Images from Brown Baby Books. Please read our dis­claimer to learn our book review pol­i­cy. Mahalo!

Book Review: Too Many Mangoes, by Tammy Paikai

Too_many_mangoes

Too_many_mangoes

Some pic­ture books are clas­sics. They tell time­less tales that teach us about the world and our place in it.

One such clas­sic also hap­pens to be one of the first Native Hawai­ian-themed books writ­ten in an authen­tic voice. Too Many Man­goes by Tam­my Paikai is a sto­ry based on the author’s child­hood experience.

This gen­tle sto­ry is about two Hawai­ian kids, Kama and Nani, who love to climb the man­go tree at their grand­paʻs house. One day grand­pa asks them to pick some man­goes, but when he real­izes that the kids have picked way too many for their fam­i­ly to eat, he instructs them to give the man­goes away to their neighbors.

Thus the adven­ture begins. We are intro­duced to a delight­ful com­mu­ni­ty of gen­er­ous and kind neigh­bors. The kids go to each house to share the man­goes and, in return, are giv­en won­der­ful treats — baked goods, fruit, jam, even an orchid plant — that the book calls “maha­lo gifts.” The last spread is at the table where grand­pa and the grand­kids are hap­pi­ly feast­ing on their unex­pect­ed bounty.

Too-many-Mangoes-Grandpa
Illus­tra­tion © Don Robin­son from Too Many Man­goes by Tam­my Paikai (Island Her­itage, 2009)

What I love most about this book is the Native Hawai­ian lessons of shar­ing with­out expec­ta­tion of any­thing in return and in being hap­py with what nature gives you. Kids can be picky eaters, and this sto­ry shows then that deli­cious pro­duce doesn’t have to be blem­ish-free: man­goes donʻt have to be per­fect to be, well, per­fect. As the neigh­bors explain, over­ripe man­go can be sprin­kled with sweet-and-salty li hing pow­der or made into pick­les or bread. I was delight­ed to find that my favorite way to eat slight­ly under­ripe man­go — with a thin mari­nade of shoyu, vine­gar and chili pep­per water — was fea­tured in the book.

Illus­tra­tion © Don Robin­son from Too Many Man­goes by Tam­my Paikai (Island Her­itage, 2009)

Too Many Man­goes offers many enrich­ment oppor­tu­ni­ties and has been adapt­ed by teach­ers, librar­i­ans and par­ents in cur­ricu­lum for first graders, includ­ing math, food and back­yard agri­cul­ture, and cul­ture and diver­si­ty. The book has been adapt­ed into class­room plays and read­er the­aters and com­mu­ni­ty read-aloud events.

The illus­tra­tions, by pop­u­lar local Hawaiʻi illus­tra­tor Don Robin­son, are gor­geous, with mut­ed trop­i­cal vibes youʻd expect from a children’s book about Hawaiʻi.

Some book review­ers have made an issue about so-called gram­mar errors. I found just one spread toward the end of the book where the tense shifts from the present to the past then back to the present. More a styl­is­tic hic­cup than a gram­mar mis­take, the shift in tense is minor and does not detract from the story.

Per­haps the best vin­di­ca­tion is that Too Many Man­goes was a fea­tured title by the Har­vard Uni­ver­si­ty Grad­u­ate School of Edu­ca­tion. Dr. Sarah Dry­den-Peter­son described the Books of Belong­ing pro­gram “where we find big, hard ques­tions about the world pack­aged with love between the cov­ers of a book.”

And that describes Too Many Man­goes perfectly.

Too Many Man­goes, A Sto­ry about Shar­ing
Writ­ten by Tam­my Paikai. Illus­trat­ed by Don Robin­son
Island Her­itage Pub­lish­ing, 2009
ISBN 1–59700-758–7
Sug­gest­ed for ages 2–6

Meet author Tam­my Paikai in our talk-sto­ry inter­view and dis­cov­er her oth­er Hawaii-themed pic­ture books. Too Many Man­goes is avail­able at Native Books Hawaiʻi and at your favorite online booksellers. 

Images from Wel­come to the Islands. Please read our dis­claimer to learn our book review pol­i­cy. Mahalo!