Interview with Illustrator Dru Santiago

Dru-Santiago

Hauoli Makahiki Hou, everyone! I love the start of a shiny new year. We also celebrate Chinese New Year around here. Kung Hee Fat Choy

What better way to start a new year but with talented Native Hawaiian and Hawaiʻi based writers and creators!

Meet the wonderful Dru Santiago, Hawaiʻi based illustrator and the 2021 Society of Children’s Book Writers and Illustrators Narrative Art award.

Dru-Santiago

First of all, congrats, Dru! For those who haven’t met you, could you please tell us a little about yourself?

Hello! My name is Druscilla Santiago, and I draw pictures for kids and grown ups. I’m from Waipahu, but I live in town with my husband and our son, now. These days, I mostly work on illustrating kids books, but I also do private commissions and graphic design/illustration work for local businesses and non-profits.

Where did you grow up? What high school did you grad from? 

I love this question! I lived on the mainland for a while in my twenties, and every time I ran into someone from Oahu, we’d always be like, “What high school you grad?” Without fail. And I’m proud to say I graduated from Leilehua High School in Wahiawa. Go mules!

Dru-cookingIndeed! My husband, Tim, is a proud Leilehua grad, too. Why did you become an illustrator? Did you always know you could create art?

I think I’ve always been an illustrator even though I didn’t know to call it that. I’ve loved to draw since I was a kid. My mom went to art school when I was very young, and I used to watch her draw and get into her expensive art supplies and draw my own little pictures alongside her. From there, my love of picture books, cartoons, and comics sort of lead me to this career.

That’s so cool. What do you enjoy most about illustrating? What are some of your greatest challenges?

Ooh. So, I kind of live in my head and drawing is the best way to express myself. You know? It’s like talking. So in a way, what I like specifically about illustrating is that I can tell a story without having to say words.  And I think the greatest challenge of being an illustrator is taking this love of drawing and making it a job. Because my mind wanders, and it’s important to stay on task. So maybe the real challenge is staying focused? Yeah, that’s it. Dru-art

What are your hopes and dreams for the year and beyond in terms of your artistic career and what you would like to see published in the future?

I’m just getting started, so my hope and dream is to keep going!

Do you have a website? Are you on  social media?

Yes, my website is adventurefun.club, and my instagram handle is @adventurefunclub. I’m on instagram more than I should be, and while I enjoy engaging on social media, the best way to contact me is via email. Don’t get lost in the DMs! 🙂 

What advice would you give an aspiring illustrator?

I would say, what I tell myself all the time, there is no “right” way to achieve your goals. Keep working at your craft, and you will get there. For real. And if any aspiring illustrator reading this is particularly interested in Picture Books? Join Society for Children’s Book Writers and Illustrators! Seriously, click this link: https://www.scbwi.org/  Joining SCBWI and attending a national conference was incredibly helpful and enlightening for me. 

Can you share a bit of your current work?

I’d love to! I am currently working on a Hands-On Science series by Lola Schaefer. It’s my first picture book project, and I am loving it. The first book in the series, called MATTER, is set to be released this summer 2023. The other two books in the series will be about Geology and Motion.Dru-art-surfer 

We love STEM picture books! Can you share a bit about what you’re working on next?

Not really next, but in addition to the Science series, I am working on a wonderful book called A HAT FOR A HOUSE by Audrey Perrott. I’m not sure how much I can say about it, but it’s exciting! 

It is! Mahalo, Dru! We’re looking forward to your upcoming books! To learn more about Dru Santiago and view a gallery of her sketches,  visit her website and blog, Adventure Club

MELE KALIKIMAKA a me HAUOLI MAKAHIKI HOU!

Christmas-2022

As 2022 ends, I look back with aloha and gratitude to the many people who have made such a difference in my writing life.

Christmas-2022

Mahalo nunui to the wonderful writers and artists who shared their manaʻo here on my blog this past year — their hopes and accomplishments continue to inspire us.

To the many wonderful writing friends I’ve made, especially at Writing Barn’s CtC community, my aloha always. You are a source of encouragement and wisdom I know I can count on.

Thank you, Brandi Uyemura, for letting me bounce ideas off of you and for sharing your wonderful writing with me. 

Mahalo to my agent, James MacGowan, for believing in me. Team James all the way!

I look forward to sharing good news in the coming year about my debut picture book as well as a new website focusing on Native Hawaiian and Polynesian creators! Aloha from my ʻohana to yours! See you in 2023!

Interview with Author/Illustrator Caren Loebel-Fried

Caren-Loebel-Fried

Our ongoing series of interviews with Native Hawaiian and local Hawaiʻi writers continues this Caren-Loebel-Friedweek with Caren Loebel-Fried, the talented award-winning author/illustrator. 

Aloha, Caren. For those who haven’t met you, could you please tell us a little about yourself?

Aloha, Kamalani. I’m an artist and author from Volcano, on Hawai’i’s Big Island. My favorite things are exploring wild places, watching and learning about birds, making art and telling stories about these things.

Where did you grow up? 

I grew up on the New Jersey shore, going to the beach in the summer.

Who is your biggest supporter?

My husband encourages and cheers me on, and sometimes joins me on my research adventures. Many biologists, cultural practitioners, teachers, and librarians also support my work, and help me get the story right.

Why did you become a writer/illustrator?

My mom is an artist and still is my greatest inspiration. I was always drawn to making art. And my art has always told stories. When I had the opportunity to create books, I worked to be a better writer. Now I tell stories with words AND pictures.

What inspired you to write for children?

Picture books were a natural fit for me. But I have to admit, I create my books for Legend-of-tall ages — keiki and the adults who read to them, and anyone who enjoys a compelling story. I’ve always loved reading books written for all ages, and I collect art-filled books that inspire me, no matter what age they are intended for. 

What do you enjoy most about creating for kids?

I love sharing with a curious audience, and most keiki are open and curious.

What are some of your greatest challenges?

My aim is to be a voice for wildlife. My greatest challenge is persuading people to care about and want to help native species. I try to do this in a fun way, by creating engaging stories and art that capture the spirit and personality of the individual animal (including human!), plant, the natural elements and environmental Polufeatures that are my subjects… I aim to make art that is colorful, engaging, alive. I am also interested in culture and how we humans live in our world, interact with our environment, and our connection to place. Many of us have lost a feeling of connection to the natural world. I try to awaken or reawaken that connection.

What are your hopes and dreams for the year and beyond in terms of your writing/artistic career?

This year, I’ll be working on my next book with University of Hawai’i Press. This story is about Makani, a young Hawaiian girl named after the wind that seabirds depend on. Makani adores ʻuaʻu, the Hawaiian petrels that her biologist mom works with. Seabirds are so cool! But their lives are completely hidden from us. They live over the ocean and only come to land to breed, flying in the dark of night, and nesting in burrows underground. I’ll be telling their amazing story Lonothrough the experience of Makani. I hope this book inspires readers, especially girls, to explore science, art, and storytelling. There are many ways to help wildlife! We can all find our own way to help preserve wildlife and wild places.

Do you have a website? 

I do: https://www.carenloebelfried.com/. And I have a YouTube Channel: https://www.youtube.com/channel/UCNgbp1m6lsf6d4w89oV6ung

What advice would you give an aspiring writer/illustrator?

Keep creating! Discover the things that are important to you and tell about them in your work!

Which characters do you relate with easily? Why?

My last book, Manu, The Boy Who Loved Birds, is about a young boy named after Manu-the-Boy-Who-Loved-Birdsan extinct Hawaiian forest bird. I relate to Manu desperately wanting to know the meaning of his name, and leaving no stone unturned in his journey of discovery… and also his difficulty in believing that extinction is forever. I also relate to Manu’s parents, who won’t just give Manu answers, but instead give him the opportunities to make discoveries himself. I tried to do this with my own son when he was growing up, and now I do it with my readers and my books!

Thatʻs a beautiful book. What beliefs are your books challenging?

It’s hard to hear, learn, believe that things we do may be unintentionally hurting wildlife. I try to present the facts, for people to know for themselves. But I also present ways that people can help. I try to write hopeful, inspiring stories and give people the tools to be an active part of the solution.

Where do you get your ideas and inspirations?

I see something cool out in nature almost everywhere and think, Wow- THAT would make a great storybook!

Mahalo, Caren, for allowing me to interview you and for sharing your manaʻo! To learn more about Caren, and to see a gallery of art pieces and to contact Caren Loebel-Fried, please visit Carenʻs website.

Ka Poʻe Kiaʻi, The Guardians of Mauna Kea, Photographs by Kai Markell

Carrying the future

Protests about the building of huge astronomical telescopes at the summit Mauna Kea have been going on for decades. They’ve only recently been brought into focus because of the planned Thirty Meter Telescope. As descendants of the earliest Polynesian voyagers, the kanaka ʻoiwi have always understood the importance of astronomy. But for a people who have long suffered the loss of their country and autonomy, desecration of their sacred mountain and the natural environment must end. 

As seen through the lens of Kai Markell, Native Hawaiian activist, photographer, and attorney at the Office of Hawaiian Affairs, this collection of photographs, Ka Poʻe Kiaʻi (the guardians and protectors of Mauna Kea), documents one of the largest protests held at various locations in Honolulu. Whether  attending a rally at ʻIolani Palace with their families, meeting with officials from the Office of Hawaiian Affairs, or holding a sign all alone at a street corner, these poʻe kiaʻi feel deeply that their message must be heard.

Itʻs 2022 — seven years after this collection was first published a Pūpū A ʻO Ewa — we are still fighting.

  • Carrying the future
    Carrying the future

Interview with Native Hawaiian Writer Adam Keawe Manalo-Camp

Adam Keawe

Our ongoing series on Native Hawaiian and local Hawaiʻi writers continues this Adam Keaweweek with Adam Keawe Manalo-Camp, the talented Native Hawaiian writer and blogger. If you’re a regular reader of Ka Wai Ola O OHA, then you’ve no doubt read Adam’s wonderfully interesting, well-researched articles about the history and culture of our people.

I’m a huge fan of your writing, Adam. But for those who haven’t met you, could you please tell us a little about yourself?

The homelands of my ancestors are Hawai’i and the Philippines. My grandmother grew up in Honokaʻa while my mother and I grew up in Kewalo within Papakōlea Hawaiian Homestead. My ʻiewe and piko are literally buried at Papakōlea. I also spent a chunk of my life in the Philippines. As far as my research background is mostly in history and anthropology.

Where did you grow up? What high school did you grad from?

I grew up within Papakōlea and am a product of Hawaiʻi’s public school system. I graduated from Roosevelt High School.

Who is your biggest supporter?

My husband. He’s been with me from the very beginning when I was getting my master’s in counseling psychology and veered off course to be a freelance writer. The latter and marrying him were the best decisions I made (besides having kids)!

That’s awesome. Why did you become a writer? What inspired you to write for children?

In general, my ancestors. But my mother always encouraged me to write.

Why did you become a writer? What inspires you to write y0our posts and articles? 

I have always liked to write. The first time that a piece of mine was published was in the ʻŌʻiwi Literary Journal, and I was graduating high school. The late Māhealani Dudoit had discovered me through a long email chain where I was talking about the importance of King Kalākaua’s world tour of 1881. I was very self-conscious because ofbeing māhū, neurodiverse, and having English as my second language—Hawaiian was my first. Māhealani said she loved how unique my voice was and encouraged me to keep writing.  It took me a long time to realize that what I told in school were my weaknesses are actually my strengths.

Then some eight years ago, I began writing posts on social media and recently my other pieces and some of my research have appeared in Civil Beat, Ka Wai Ola o OHA, NatGeo, etc.

What do you enjoy most about writing? What are some of your greatest challenges in writing your articles and posts?

When I write posts, I think of them as love letters to my ancestors and to my culture. I do not have a social media calendar or plan things out. I write because something inspires me to and I found a particular topic interesting. I also write in honor of my grandmother and mother who used to constantly fill my thoughts with stories of their times and the times of the ancestors. I know many Kānaka Maoli who read my posts may not have their kūpuna around or have been scattered throughout Turtle Island, and so I would hope some of my posts may be a small light to remind them of where they came from.

Social media can bring so much positive attention to indigenous peoples but social media can also be challenging. Some folx are on social media platforms simply for clout or to attack people behind a wall of anonymity. I try not to focus on those people but to focus on the folx out there who are searching for manaʻo and want to engage in aloha.

I always learn something new from your posts. What are your hopes and dreams for the year and beyond in terms of your writing career and what you would like to see published in the future?

I have a couple of articles coming out this year including pieces on Kaomi. The pandemic sort of made me rethink my career and what I want to write about. I would want to write more local Filipino and queer histories as well as more on Hawaiian struggles from a historical point of view. I would like to also write more fictional short stories.

I always ask the following of the writers I interview: There are not a lot of stories for local kids by local writers. Why do you think that is? What do you think we can do to change that?

I think in general there aren’t a lot of works for children by BIPOC writers in general. A lot I believe is the lack of access to publishers as well as economic factors. There are a lot of creative Kānaka Maoli out there that I know of but due to the cost of living and other expenses, some see being creative as a side hassle as they feel that being creative cannot sustain them financially. I myself would not know how to get started in that field.

Do you have a website? Are you on social media? Do social media play a role for you as an author? Do your readers contact you? What do they say?

My linktree is linktr.ee/adamkeawe That features links to some of my work and my blog. I got on Facebook about eight years ago, and on there I am admin for the Hawaiian History and Culture group, which has 34,000+ members. Instagram I got on right before the pandemic and that is where I am more active. I also have Twitter but am not too active on there. All of my handles for my social media accounts are: adamkeawe.

In general readers are supportive and engage in discussions.

What advice do you have for aspiring writers?

If your naʻau keeps pushing you to tell a story, youʻre a writer. Never be discouraged nor base your self-worth and your writing on how many likes of followers you have. In the end, you will connect with who you need to connect with.

Can you share a bit of your current work?

I have two pieces coming out soon. One is about Kaomi and another is about my motherʻs best friend who was a transwoman in the 1970s.

What beliefs are your stories challenging?

Patriarchy, settler colonialism, homophobia, racism, and anti-Semitism.

Where do you get your inspirations?

I draw a lot of my inspiration from my ancestors and talking to other Kānaka Maoli. But I also read other writers from various genres including Joy Harjo, Ninotsche Rosca, Noam Chomsky, Langston Hughes, Audre Lorde, Stephen King, and so many others. Science fiction such as The Expanse, Star Trek: Deep Space Nine, and Babylon 5 inspires me as well.

Your articles and posts demonstrate a lot of research. Whatʻs your research process like? How long is your research for a typical article?

Normally I have at least three sources per article. In social media posts, minimum two.  Before I begin a major writing assignment, I chant “E hōmai…” and ask to be guided. I do the same privately before entering a library or archives. I am mindful that research is ceremony and methodology is ritual, and I try to bring that into whatever I am working on.

Have you ever considered writing a longer work, like a book or screenplay?

Yes. I would rather collaborate though because of the time that it takes.

Can you share a bit about what you are working on next?

I am collaborating with Kumu Lua Michelle Manu on a book about women warriors.

Women warriors? I look forward to that. Adam, mahalo nui for sharing your manaʻo! To learn more about Adam Keawe, visit his LinkTree

Interview with Author Dani Hickman

How About a Pineapple?

Welcome to our latest interview with Native Hawaiian and local Hawaiʻi writers!  Author Dani Hickman is the author of four delightful children’s books published by Island Heritage. 

Hi, Dani. For those who haven’t met you, could you please tell us a little about yourself?Dani Hickman

I’m a married local girl with four adult children. My youngest, who co-authored two of my books (How About a Pineapple? and Tako Lends a Helping Hand) just went off to college. My home in Waipio is still full with four dogs, one cat and one very fat beta fish. My day job is in Human Resources at a local adult in-home care service.

Where did you grow up? What high school did you grad from?

I’m a townie who graduated from McKinley High School. Go Tigers!

Indeed! Who is your biggest supporter?

My husband, Jeff, is my partner in all things. From raising the kids, to editing my writing, to being my arm candy at author events, Jeff has always been my rock. He is a Kamehameha grad and retired National Guard Veteran. His feedback and contributions in my stories definitely helps me add more “flavor” to anything I do.

Why did you become a writer? What inspired you to write for children?

I’ve always written short stories and poems since I was little. Publishing always seemed like something that was too difficult to achieve and I had no idea where to even begin. I had a co-worker, Tammy Paikai, who published a few children’s books and inspired me to give it a try. She was incredibly helpful and encouraging with all the behind the scenes stuff, like setting up for a book signing and being resilient during the editing process. I also LOVE her books. “Too Many Mangos” is my favorite Tammy Paikai book, so relatable in Hawaii and a great lesson of giving.

What do you enjoy most about writing for kids? What are some of your greatest challenges in writing for children?

I love the book signings and reading at the schools! Meeting children and hearing them say how much they love the story is such a heartwarming experience. My biggest problem when writing for children is my love for big words. Keeping stories at 2nd grade reading level and replacing “verbose” with “talkative” or “mean” in place of “malicious” is a challenge. My kids always loved “big” words but my editor has a different viewpoint.

What are your hopes and dreams for the year and beyond in terms of your writing career and what you would like to see published in the future?

I’d like to publish a chapter book for teens with a Hawaiʻi storyline. Maybe even a Pono the Garden GuardianHawaiʻi graphic novel. I’d also love to do a sequel for my first book, Pono, the Garden Guardian. He’s my favorite little guy with a big heart. I have a rough idea of what I’d like his next chapter to be. Publishing another adventure for him would be amazing.

There are not a lot of stories for or by Native Hawaiians and Pacific Islanders. Why do you think that is? What do you think we can do the change that?

I agree that there are not enough Hawaiian/Pacific Islander children’s book authors. In my opinion, I think part of that stems from the Hawaiian culture itself. Hawaiian is a spoken language, traditionally passing stories through chants, song and dance. The lack of a written Hawaiian language did not become issue until the arrival of the missionaries. Today, there seems to be a limited group of traditional kumu who are perpetuating the culture as they always have, through oral teachings. I think more in the community are trying to reach out to keiki, but unfortunately, the pool of knowledgeable experts with a passion for writing and a focus on children’s stories is small. It may be helpful to have more outreach by cultural groups to encourage keiki to put their demands out there for books and also writing their own stories.

Do you have a website? Are you on social media? Do social media play a role for you as an author? Do your readers contact you? What do they say?

My website is sorely out of date. Iʻm also on Facebook. I been have slacking off considerably in promoting my books in the last couple of years. My focus was on my family and getting my daughter set up for college. Now that she is in college, I hope to get back to it. I have gotten email sent from my website, direct messages and comments on facebook and my direct email. Most of the feedback was through social media. A majority of the comments were around how much they liked the characters. A few made welcome critiques of different directions the How About a Pineapple?story could have gone. My favorite bit of feedback was that I didn’t name the puppy in How About a Pineapple? I purposefully left out a name because I noticed many children coming to book signings mentioned that their dog was the dog in the book. I felt naming the dog excluded all those keiki with white dogs that wanted to imagine their puppy on an adventure. The dog is named Kea in the book description but not in the story, and I still appreciate the comment.

What advice do you have for aspiring writers?

READ READ READ! Learn how others weave their stories and develop their characters. All those different styles helps you find your own. Be open to feedback from others, it can only make you better. Write about what inspires you. Don’t be discouraged — keep trying.

Can you share a bit of your current work?

Rainbow Friends in the SeaThe last book I published was a baby book, Rainbow Friends in the Sea. I’ve always loved rainbows and wanted to write a color book for little ones. It’s a board book with a simple rhyming theme showing the basic colors of the rainbow in sea life. My favorite part of the book is a mirror in the end, because “You’re my newest Rainbow Friend.”

Which of your books did you have the most fun writing? Which were the most challenging?

Writing How About a Pineapple? with my daughter was the best experience. At 12 years old she was bursting with ideas and edits. It was a blessing working with her.

My first book, Pono the Garden Guardian, was the hardest to write. I invested a great deal of my heart in that book, and it was too long. The text needed to be cut in half. Cutting something you love down to its core was very difficult for me but also a valuable lesson. Great stories can be a relationship between the author and the reader. Using fewer words allows the reader to fill their mind with the pictures they create. The writing is just there to point and to guide.

What beliefs are your books challenging? 

I think there are many stories about heroes. I believe everyone can be a hero. You just have to decide how. My characters aren’t “super,” they’re YOU in different situations. They’re YOU choosing to be a good person in a small, but significant way.

What’s your experience with publishing your books?

I’ve had good experiences with my publisher. Island Heritage is well known for quality and has a history of amazing works. I’m honored that they allowed me to share my stories and support me as an author.

Where do you get ideas for your books?

I write stories I want my children to learn from. I take a lesson like self-less giving, doing what’s right and working well with others, and I have the characters show you why that lesson matters. Inspiration is everywhere and in common everyday things. Children’s stories should shine a light on a different way to look at something, from different perspective. It’s a great way to learn no matter what your age. 

Which characters do you relate with easily? Why?

The character closest to me is Tako Lends a Helping Hand. Tako wants to Tako Lends a Handhelp everyone but takes on more than she can do and ends up forgetting everything she’s already promised. Managing tasks and time while working with others to get things done is something I think many people can relate to. Tako is an octopus, so it’s a little wishful thinking to hope for a few extra hands on busy days.

Can you share a bit about your next book?

 I always have 10–12 books in different stages at all times. It’s common for me to put something down for months and come back to it with fresh eyes. The book I have that’s a bit farther along than most is a story about not wanting to go to bed. It’s got more of a national theme, and it rhymes, which is always a bit more challenging to get the rhythm right. Many parents can connect to a story of a child wanting to stay up a little later than they should.

Mahalo, Dani, for sharing your manaʻo with us! To contact Dani Hickman and learn more about her books, please visit her website at thedanihickman.com

Interview with Writer Brandi-Ann Uyemura

Our ongoing series on Native Hawaiian and local Hawaiʻi writers continues this Brandi_Uyemuaweek with my friend, author Brandi-Ann Uyemura. Writing coach, blogger, coach and author, Brandi does it all. Her articles and essays inspire hope, courage and compassion. An Asian American who grew up in Hawaiʻi, Brandi brings a much needed authentic voice, not just for Asian kids in Hawaiʻi but for all kids, everywhere.

Hi, Brandi. Thank you for allowing me to feature you. For those who haven’t met you, could you please tell us a little about yourself?

Hi! I’m Brandi, a writer and mom of two young boys. I grew up in Honolulu, Hawaii and went to Aiea High School.

Go Na Aliʻi! Who is your biggest supporter?

My husband. He’s been with me from the very beginning when I was getting my master’s in counseling psychology and veered off course to be a freelance writer. The latter and marrying him were the best decisions I made (besides having kids)!

Why did you become a writer? What inspired you to write for children?

I think I’ve always been a writer. I just didn’t know you could do it for a living. It’s funny I coach creative women and I often say that the thing you say you would never do, is often the thing you want to do most. When I got my BA in English from the University of Oregon, I could have gone the children’s writer route, but I never thought I would write for kids. I even interned at Skipping Stones, a multicultural children’s magazine.

One of my earliest memories in school was having to create a picture book. I think it was about rats or something lol. It was a pivotal memory because I remember thinking: wow you mean I can write a book?

What do you enjoy most about writing for kids? What are some of your greatest challenges in writing for children?

I have fond memories of reading books in my youth. It was that one moment when I felt that visceral experience of being in the story. I think every reader remembers reading Charlie and the Chocolate Factory and wanting to eat chocolate or getting chicken skin from Toni Morrison’s Beloved. I’ve almost never been able to recapture that feeling as an adult. When I write for kids, I get that magical experience of feeling like anything is possible.

Oh, yes, I know what you mean. What are your hopes and dreams for the year and beyond in terms of your writing career and what you would like to see published in the future?

I hope to get more of my picture books on submission and my middle grade mystery in submission shape. I have other fiction novels that I’ve started, another middle grade, and two women’s fiction novels. Once my kids are in school again, I hope to really get deep into those.

I think I will always be a writer. Fiction is new to me and yet, it feels like coming home There’s something fresh and delicious about writing fiction that I haven’t experience writing nonfiction.

There are not a lot of stories for local kids by local writers. Why do you think that is? What do you think we can do to change that?

I don’t know exactly why that is. And you and I have had conversations about that. It’s so important to have these unique cultural experiences on the bookshelves. I think we need to support other local and indigenous writers with stories to tell. I think what you’re doing: writing about your own culture, working to get them published and featuring local writers and authors on your website are pivotal ways to change the landscape.

I agree! Do you have a website? Are you on social media? Do social media play a role for you as an author? Do your readers contact you? What do they say?

I have two websites: The Inspiring Bee and Brandi-AnnUyemura.com. The Inspiring Bee was created decades ago and is all about inspiring people to follow their purpose. The other website is a place for writers. Both have helped me get jobs and connect with writers in the decade or so that I’ve had them so I am grateful for both.

I’m on Twitter, Facebook and Instagram all with @TheInspiringBee. I met my first freelance writer friends over a decade ago through my blog and Twitter. I’ve also met IRL mom friends and coaching clients solely through Instagram. Right now, I’m prepublished, so I’m using social media as more of a way to connect and find inspiration from other creative’s platforms.

What advice do you have for aspiring writers?

If I were to speak to an aspiring writer, I would tell them their words matter. There is always room in the collective for their voice and that anything they don’t know, they can learn. The main thing is to keep going. The only way to become the writer you dream of, is to write. Write despite fear. Write despite insecurity. Write despite what anyone else says. And don’t show your work to anyone in the early process. Give yourself the freedom to express and put everything down on paper. You can always go back to revise.

Can you share a bit of your current work?

I wrote a picture book about the local Japanese Bon Dance here in Hawaii. Originally, it was written in third person and was basically a documentary on a real scene at a Bon Dance lol. I had no idea what I was doing. It has had multiple iterations since then and is now written in first person.

What beliefs are your stories challenging?

I think culture, courage and being and accepting yourself. It’s a story about connecting with your ancestors.

What is your inspiration for your stories?

My own life as a mom raising two boys for sure. And my family’s life growing up in a sugar plantation in Kauai. It’s a mix of everything I’ve read, researched and lived.

Which characters do you relate with easily? Why?

I can relate to my main character being afraid to dance in front of everyone. I really grappled with this story for years until I had an amazing mentor, Andrea Wang from PBChat. She helped me to get to the heart of my story.

That’s cool. Are you working on a new writing project? Can you share a bit about your next book?

I am revising a middle grade mystery. It’s about six years in the making. What motivated me was receiving a SCBWI mentorship and Highlights scholarship. These came right when I was about to throw in the towel. It’s a story that blends my own past experiences working at a chocolate store, as a private investigator and middle school therapist. It’s a chocolate mystery about an Asian American girl growing up in an almost all white community where she befriends her former nemesis and bully, and learns that we’re all a mix of bitter and sweet. None of us immune to the evils of the world.

 

That sounds intriguing Brandi. Mahalo for sharing your manaʻo and best wishes always! To contact Brandi-Ann Uyemura, visit her on social media or The Inspiring Bee and Brandi-AnnUyemura.com

Interview with Native Hawaiian Author Tammy Paikai

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Today I am delighted to feature my friend, the talented Native Hawaiian author Tammy Paikai.  Her five picture books cover subjects that teach children important life lessons but do so in a fun and approachable way that kids — and their parents — love. 

Aloha, Tammy. It’s so good to talk with you! For those who haven’t met you, could you please tell us a little about yourself?

I like to describe myself as a kind and good person.  I was inspired by my father who was my role model growing up.  He was a gentle soul, yet had a witty sense of humor that always made me laugh. 

Being a young mom of three wonderful children, my first career was to help support my growing family.  I worked for 20 years at The Plaza Hotel by the Honolulu International Airport as the Senior Reservations Clerk.  In the hospitality industry I could help others and that gave me the most satisfaction. 

My second career was for me because I had always wanted to do something creative in my life.  I worked for Island Heritage as a Customer Service Representative and Front Office Administrator for 17 years, and it was such a joy to be around so many creative people.  I feel so blessed that Island Heritage gave me the opportunity to write books for children.  It has really been a dream come true.

Where did you grow up? What high school did you grad from?

Although I was born in Honolulu, Hawaiʻi, my elementary years were mostly spent in Reseda, California.  I returned back to Hawaiʻi when I was 10 years old and attended several schools on the West side of the island.  I eventually graduated from Aiea High School.  Living in Hawaii was where I learned about all the different ethnicities and cultures of the islands. 

Who is your biggest supporter?

My biggest supporters are my family, especially my husband of 40+ years.  He always believed in me and my talent.  To this day he loves to share my stories with his young students.  He has been a Hawaiian Studies teacher since 1988.  I am so happy that he can share these stories with a message of aloha, sharing, laughter, fun and self-confidence. 

Why did you become a writer? What inspired you to write for children?

Aloha_IsIt was a desire deep inside of me to be creative.  From childhood, I drew cartoons and wrote poetry for fun.  At Island Heritage I wanted to try my hand at being a writer.  The Creative Director suggested that I submit a manuscript.  I came up with a little poem called, Aloha Is…,and it was accepted and published in 2006.  To this day, it is still one of Island Heritage’s Best Sellers.  This story is in rhyme and shares the many meanings of aloha.  Illustrated by Rosalie Prussing, the pictures are absolutely a work of art! I wanted to write for the children of Hawaii to give them books about “us.”  I was very lucky to be partnered with great artists that brought my stories to life.  Their talents helped me share the beauty of our people, our values, our lifestyle and our home. 

What do you enjoy most about writing for kids? What are some of your greatest challenges in writing for children?

Too_many_mangoesI really enjoy when the kids connect with my stories. Like in Too Many Mangoes, perhaps they have mangoes that they have shared with their neighbors or maybe they have a hard-of-hearing grandpa too.  I am in awe when someone says that my book is one of their favorites.  Never in my wildest dreams did I think that would ever happen!  It makes me feel so proud that I can bring joy to others in my own little way.  My greatest challenge would be coming up with an idea for a story.  I want all of my stories to be upbeat and positive.  I want to give a good message to the children and make them smile. 

What are your hopes and dreams for the year and beyond in terms of your writing career and what you would like to see published in the future?

I_am_Kiki_I_love_meRight now I am just enjoying my latest book, I am Kiki!  I Love Me! which just came out this summer 2022.  The story begins with Kiki singing a song to herself on the beach of Hawaiʻi until a volleyball player teases her for being so short.  Kiki loves herself and won’t let others bring her down.  Illustrated by Eliza Fortney,  the beach scenes are absolutely beautiful with lots to look at. 

I have been waiting a very long time to have this story published.  I love this story because I hope to inspire young children to simply love themselves the way they are and not let others make them feel bad about themselves.  Also, I was able to add a little poetry in the story which is a fun touch for Kiki’s confidence. 

There are not a lot of stories for or by Native Hawaiians and Pacific Islanders. Why do you think that is? What do you think we can do the change that?

We should always encourage people to share their own stories.  Like my co-worker simply encouraged me to submit a manuscript, I thought it would be harder than that.   Years, later I encouraged a friend to submit a manuscript, now she is a published children’s author at Island Heritage too. 

What advice do you have for aspiring writers?

 If I can do it, so can you!  Write what you know about, what you enjoy, what you love, etc.  Also, read it out loud to yourself, over and over again to make sure it is just right.  Have a good message or moral if it is a children’s story.  Take pride in your work! 

Which of your books did you have the most fun writing? Which were the most challenging?

I enjoyed writing Too Many Mangoes, a story about sharing.  Grandpa has so many mangoes that he asks his grandchildren to share the mangoes with the neighbors.  Illustrator Don Robinson’s characters are so delightful. I was able to incorporate my family’s names in the story, and I really did climb my Grandpa’s mango tree when I was a child.  By the way, my grandpa’s name was Mr. Wong, just like the in the story! 

Grandpas_mixed_up_luauWhich were the most challenging?  I wanted to do a funny book with rhymes.  Grandpa’s Mixed-Up Lūʻau is what happens when a lovable, but hard-of-hearing Grandpa tries to help Grandma get ready for a lūʻau.  Also illustrated by Don Robinson, the story unfolds with his beautiful pictures. At first things were flowing nicely:  “boy” rhymes with “poi,” “Malia” rhymes with “haupia.” But I struggled with a rhyme for “kalua pig.”  Then inspiration came from above, “Canoe that’s big!” 

What’s your experience with publishing your books?

It’s been excellent!  The Creative people at Island Heritage, a.k.a. The Madden Corporation were not only professional but super creative and extremely talented.  I’m sure it helped me by being a co-worker/friend to the Creative Department.  Their website has not only my books but also they have beautiful Hawaiian themed gifts and souvenirs. 

Where do you get ideas for your books?

Honu_honu_where_are_youHonesty, I believe my inspiration comes from “above.”  Something happens and the title pops in my head and the writing part comes easy after that.  For example, one day my neighbor came to our house and asked if we saw her pet turtle that they lost.  I thought to myself, Honu, Honu, Where are You? and then wrote the rhyme for that playful story about baby dolphin looking for his friend, Honu, the sea turtle.  Yuko Green who cleverly illustrated the book using flaps to help hide the turtles in  this story. 

Another time, my daughter was telling me that she put capers in her salmon dish.  I heard “papers” and questioned her about what kind of papers?  She was annoyed, but I thought it was funny.  So I came up with Grandpa’s Mixed-Up Luau.    

Which characters do you relate with easily? Why?

Kiki would be the character that I most relate too.  She is short, wears glasses and is happy-go-lucky.  As a young girl my brother would tease me and I didn’t stand up for myself.  I wrote Kiki wanting young girls to love themselves so that if others tease her, it would not affect her self-esteem.  My daughter was working on a project a few years ago about empowerment for women of color.  That project inspired me to write I am Kiki! I Love Me!  

This is great, Tammy. Anything else?

Mahalo to my long time friend, Kamalani Hurley.  I am so honored for her to share my humble story.  Also, many thanks to the people of Hawaii for making me feel special and embracing my stories that I really loved writing.  Dreams do come true, thanks to you!

Mahalo to YOU, Tammy! We look forward to many more of your stories for keiki! To contact Tammy Paikai and learn more about her books, please visit the Island Heritage website

Interview with Award-Winning Author Ilima Loomis

Ohana-means-Family

Welcome to the first in a new series of interviews with Native Hawaiian and local Hawaiʻi writers! 

Ilima-LoomisI am very pleased to introduce award-winning author Ilima Loomis. She has an extensive background not only in writing for children but also in journalism, content marketing, science and technology. Her goal is to help her readers to make sense of complicated subjects.

Aloha, Ilima. For those who haven’t met you, could you please tell us a little about yourself?

Aloha! My name is Ilima Loomis, and I’m the author of children’s books including ‘Ohana Means Family and Eclipse Chaser: Science in the Moon’s Shadow. Along with writing books for young readers, I also work as a science writer! I interview scientists and help explain their research and discoveries for a general audience. I started my career as a community journalist, working as a reporter for The Maui News. While I was born and lived most of my life in Hawaii, I recently moved to Vancouver, Canada.

Ohana-means-FamilyWhere did you grow up? What high school did you grad from?

I was born and raised in Kailua, Oahu, and I graduated from Iolani School in Honolulu. Go Raiders!

Who is your biggest supporter?

My daughter is 15, and she recently told me that she was proud of what I do and she thought I was cool. That really meant so much to me! I’m grateful to be her mom. She inspires me.

Thatʻs very cool. Why did you become a writer? What inspired you to write for children?

I actually started out as a journalist. I’ve always written nonfiction because I’m inspired by the real world. My first children’s book was actually a spin-off from a nonfiction book I wrote about paniolo and ranching in Hawaii. After I finished the book for adults, I thought it would also make a good subject for kids, so I pitched and wrote a picture book. I loved the experience of writing for kids and was hooked.

What do you enjoy most about writing for kids? What are some of your greatest challenges in writing for children?

I love the challenge of taking a complex subject and figuring out how to distill it into a story that kids will understand and relate to or find interesting. It really forces you as a writer to think about what’s most important and what you most want to say. It’s such a short format, there’s no room for any rambling or digression. Even though I’m writing nonfiction, I still have to think creatively about how to say what I want to say, and how to turn these cold facts into a story that makes the reader feel emotion. It makes me a better writer. 

There are not a lot of stories for or by Native Hawaiians and Pacific Islanders. Why do you think that is? What do you think we can do the change that?

First, I want to note that I’m not Native Hawaiian; I’m from a multi-generational kama’aina family. Hawaiʻi is my home, and it meant so much to me to be able to share something about Hawaiʻi’s culture with this book. I also want to credit and thank Hōkūao Pellegrino for reviewing and adding his cultural expertise to the book.

Eclipse-chaserI absolutely believe that there is a huge need for more books for and by Native Hawaiians and Pacific Islanders. It’s gratifying to see that children’s publishing has embraced diversity in the last few years and is starting to catch up with the long overlooked need for stories that reflect the diverse world in which we live. That push for diversity needs to include indigenous voices, in particular Native Hawaiians and Pacific Islanders.

There’s a lot I don’t understand about how publishing works as an industry, but I do think that organizations like SCBWI (Society of Childrenʻs Book Writers and Illustrators) can support this movement by continuing to work on being more diverse and inclusive in their membership and programs for up-and-coming writers and illustrators. I think the SCBWI Hawaiʻi Chapter is doing a great job on that and I hope they continue to push even harder toward those goals. And of course as readers the best thing we can do to show publishers that there’s demand for books by and for Native Hawaiians and Pacific Islanders is to buy and support the books that are already out there. I think it’s especially important to support local Hawaii publishers, because they’re the ones leading the way in sharing Native Hawaiian and Pacific Islander stories, and that’s where many new writers and illustrators get their start. Local publishers are an important resource for readers and writers in Hawaii, and we need to support them!

Are you on social media? Do social media play a role for you as an author? Do your readers contact you? What do they say?

I do some social media (where else would I find an outlet for all the photos I take of my dog??). Writing can be a lonely activity, so I found that social media was a great way to connect with other writers and build community. I do sometimes hear from readers, and I absolutely love it when I see people share that they enjoyed my book. It’s especially cool when I see the book shared by librarians or teachers! As an author though, I try to turn off the social media for a while so I can focus on my writing without distractions.

Rough-ridersWhat advice do you have for aspiring writers?

There’s no substitute for just writing a lot and putting it out there for people to read. I actually believe it’s more important to write a lot than to write well. You learn something every time your work gets released into the world, so take every opportunity you can. Some writers will hang on to their work, polishing and polishing, because it’s never good enough. Perfectionism is a killer. Just let it go.

Can you share a bit of your current work?

I’m working on an idea about pollinator gardens! I’m inspired by small-scale conservation.

Which of your books did you have the most fun writing? Which were the most challenging?

I actually had an incredible experience writing Eclipse Chaser. I had the opportunity to travel to the 2017 total solar eclipse with University of Hawaii solar physicist Shadia Habbal and her team. We camped in the Oregon desert, and she allowed me to document her expedition for the book. It was a once-in-a-lifetime experience!

What beliefs are your books challenging?

Interesting question! I don’t think I set out to challenge people’s beliefs, but in ‘Ohana Means Family I wanted readers to reflect on how food connects us with each other, with nature, and with the world.

What’s your experience with publishing your books?

My first two books, Ka’imi’s First Round-Up and Rough Riders: Hawaii’s Paniolo and Their Stories were published with a local publisher (Island Heritage). It was a great experience, and I am really grateful Island Heritage took a chance on my books and gave me the opportunity to work on those projects as a young writer. I actually originally wrote ‘Ohana Means Family with the intention of publishing it locally as well. But when I connected with my agent, Kaimis-first-roundupKelly Sonnack, she thought there would be interest outside of Hawaii. She ended up selling it to Neal Porter, an acclaimed children’s book editor. It was an incredible opportunity to be able to work with Neal on my first picture book outside of Hawaii, and I think he did an amazing job with the book. I was especially excited that he selected illustrator Kenard Pak to create the art, and I think the results were absolutely gorgeous.

Where do you get ideas for your books?

I’m inspired by the natural world and how humans interact with nature!

Which characters do you relate with easily? Why?

I’m a quiet, introspective person, so I usually relate to quiet, introspective characters.

Can you share a bit about your next book?

As I mentioned, I’m working about a book about pollinator gardens. For inspiration, I planted some native wildflowers in a planter on my deck. Now that I live in the Pacific Northwest there are so many plants and animals that are new to me. I love watching the bees buzzing around the flowers, and I’m especially excited every time hummingbirds come for a visit! They’re so tiny and cute! I love the idea that humans can interact with nature and support conservation even if they live in small spaces or in the middle of a big city.

 

Mahalo nui, Ilima, and best wishes for your continued success! To contact Ilima Loomis and learn more about her books, visit her website, Ilimaloomis.com.

Monday is National Spam Musubi Day (Thanks, L&L!)

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Monday August 8 is the Second Annual L&L Hawaiʻi National Spam Musubi Day, and that means a free musubi from L&L Hawaiʻi. Launched by the venerable Hawaiʻi company and licensed by Hormel Foods, this it-should-be-a-holiday is another quirky and fun Hawaiʻi thing. 

And because I love both spam and history, letʻs have a little of both in todayʻs blog post. Spam_musubi

Spam musubi  is sticky white rice topped with a slice of seasoned cooked spam, wrapped up in a piece of crunchy nori seaweed. In my post on 12 Things Native Hawaiian and Hawaiʻi Kids Like, — my addition to children’s author Tara Lazar’s 500+ Things That Kids Like — spam musubi is right there near the top of the list. Thatʻs because itʻs a convenient, inexpensive, packable lunch. 

Canned spam first became popular in Hawaiʻi during WW II. Soon home cooks were creating dishes made from the salty canned meat. When I was growing up, we ate spam all the time, including fried with eggs and rice (which is a favorite breakfast order at Hawaiʻi McDonalds restaurants.) The first time my college roommates saw me frying up spam, they freaked out, that is, until they tasted it. 

Hawaiʻiʻs Barbara Funamura is credited with inventing spam musubi in the early 1980s for the Joni-Hana restaurant on Kauaiʻi, according to the Garden Island newspaper. Mrs. Funamura had no idea that her humble recipe would, like many great inventions, become so popular.

My kids grew up packing spam musubis to eat after hula and soccer practice, and to this day, itʻs a satisfying treat. Our simple method was simply splashing a bit of shoyu into the pan as the spam cooked, but a search on the internet reveals lots of fancy recipes.

Oh, and did you get the August 8/8–08 shout-out to our area code? Happy Spam Musubi day! Photo credit: L&L Hawaiian BBQ